How Can I Make My Christmas Lights Dance To Music Power Ranking of Fantasia Sequences

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Power Ranking of Fantasia Sequences

7. Pastoral symphony

The pastoral symphonic segment suffers from being the most childish of all the sequences. The humor suffers from too much slapstick. It’s not as ground-breaking as The Sorcerer’s Apprentice or Clockwork Dance. Additionally, the animation is lackluster and not particularly memorable. Walt Disney originally intended for the centaurs to be much wilder and more beastly, but studio and censorship concerns ended those plans. As a result, centaurs are simply beautiful. There are some good moments, like the storm scene, but it ends before it gets too dangerous. The segment is cute, but not much else.

6. The Nutcracker Suite

This second part of Fantasia is extremely beautiful, but that’s all that can be said about it. Scenes like falling leaves, ice fairies, and Russian flowers are beautiful to behold, but because there’s no story, they’re ultimately forgettable. This number is great to look at, but when one is done watching the movie, it is hard to remember. However, it’s still better than being geometrically animated and forgotten like Flamingo with Yo-Yo in Fantasia 2000.

5. Toccata and fugue in D minor

This opening section is intended to represent what the audience imagines when listening to the piece. At first, the viewer can clearly see the instruments. Then you can see images that can be perceived as tools. Eventually the instruments disappear completely.

This is one of the reasons I like Fantasia. This sequence has no plot; It introduces the viewer to the concept of fantasy, such as when a moving bow of strings becomes abstract. The sequence doesn’t make kids happy or tell the story like Fantasia 2000 did with its “abstract” number, Beethoven’s Symphony No. 5. However, the early opening number has more educational interest as it introduces the orchestra.

This sequence has beautiful animation, and I admire its ambition, but it ultimately lacks the emotional power of the final four on the list.

4. The Sorcerer’s Apprentice

This is probably the most famous sequence from Fantasia, and rightfully so. Making Mickey Mouse a witch is funny. Then we see how bad he is at mopping the floor, and while we laugh, we sympathize.

We’ve all probably messed up some simple job, but not as spectacularly as he does. The juxtaposition of the fantasy of ruling the world with an out-of-control deluge evokes sympathy and anxiety, but also laughter at the ludicrous grandiosity of its aspirations. When the broomsticks multiply so dramatically, it’s funny but also terrifying as they try to suffocate poor Mickey. Likewise, The Return of the Witch is simultaneously terrifying, comforting, and funny. Mickey is caught and everyone can identify with the fear it inspires. At the same time, he puts an end to Mickey’s insanity. And the ease with which he does it, like lifting a broomstick, is comical.

While entertaining, this sequence lacks the snappy humor of the next entry on this list or the beautiful animation of the last two entries. This is great, but the last three here are great.

3. Dance of the hours

This is undoubtedly the high point of the humor in Fantasia. The dance between the hippopotamus and the alligator is the antithesis of Ginger Rogers and Fred Astaire. Although this couple personified grace, the hippopotamus outshines the alligator, which still retains a romantic drive and a flourishing swiftness. The humor comes from the fact that they both think they are graceful. In fact, all animals believe they are great dancers.

While this sequence is a lot of fun, the last two on my list combine drama with masterful combinations of animation and music that tell memorable and moving stories.

2. Night on Bald Mountain and Ave Maria

Night on Bald Mountain is my favorite part of the fantasy. An animation depicting the dead returning to the devil portrays the maddened mischief evoked by the music. Bela Lugos is modeled for the animation of the devil and his smile can be seen as the devil enjoys torturing souls in his hands. As soon as he comes out of the mountain, there is no mistaking who he is.

Why is this sequence in 2nd place then? For one reason: Ave Maria comes after it. Ave Maria is good, but crudely, even sentimentally, good. The choral introduction and accompaniment accentuate the goodness with syrupy, discordant slides, and the personal, pleading quality of the prayer diminishes in the piece as the choir soars to the high solo parts, signifying that the heavenly balm is complete. human problems. This is repeated in the animation, which at first reduces the people to faceless lights, and then towards the end, it moves towards heavenly visions.

Night on Bald Mountain, as good as it is, has the major flaw of being followed by an unmemorable number. But I believe the final entry on this list encompasses everything good about Fantasia and has no flaws.

1. Rite of spring

This sequence manages to contain all the aspects that make Fantasia good. It has strong, abstract visuals like the opening lava storm. It also has the same eerie, almost primitive power as Night on Bald Mountain. However, this time he is not relieved by the Ave Maria team, which he feels good about; Or rather, dinosaurs just die. It does not explain why to children, allowing them to draw their own conclusions. The movies “Dinosaur” and more recently “Walking With Dinosaurs” could have taken a lesson from this sequence. You don’t need to throw in dialogue and set things up as good versus evil to keep kids interested.

Walt Disney had to fight a lot for his vision of the sequence. He was under pressure from the studio and his fellow animators to make the studio friendlier. He stood firm and the result is, in my opinion, the greatest fantasy sequence ever.

What is your favorite fantasy series? Less lovely than expected? Let us know in the comments below.

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