How To Find A Music Studio That Fits Your Style Audio Mastering – The Future is Online (Old Studios vs New Sound)

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Audio Mastering – The Future is Online (Old Studios vs New Sound)

It is not surprising that ownership has changed over the years. We have come a long way from cleaning audio equipment. The music industry as a whole is almost identical to the one we entered a few years ago. Post-production studios and master houses around the world are competing to buy the latest and greatest equipment in an effort to keep going. Skilled engineers everywhere are asking themselves, “How can I continue to deliver my (old) skills in this new market?” But there is a big problem.

The next generation of artists and listeners do not want the old skills. They want a new voice.. Music of the future will not come from the old studio. Even bands that want classic recordings will have an audience playing their songs in car stereo from a computer and on an mp3 player. The new master studio must be different.

There are a lot of things that will separate the new studio from the old and as a result the album is related to the rest. And there is a place to find out which one – where to go to tell who – who – the Internet. We all saw it come … or did we? Search for “audio proficiency” in Google and see what pops up. You will find a useless website after another professional engineer who shows off their tools and talks about What is proficiency! This is a disconnect.

Bands today know what IS mastery and they know they need it. Older people called so-called experts may not notice anything wrong, but the artist they are trying to reach has hit the “back” button on their browser. They continued because they were looking for a related studio. These musicians are searching the internet for these 5 things in a professional studio:

(1) Great website

(2) with simple straight values ​​and

(3) Easy way to send tracks,

(4) Strong warranty and

(5) Commitment to maintaining details.

In short, they are looking for good service. The most “current” thing the studio can do is to pay attention to Indonesian artists because times have changed. Bands have more energy and more energy to choose from. That’s how it should be. And for those of you who own a studio, the fun is just beginning. It’s not about expensive equipment anymore or the ones we know in the music business. It’s time for us to stop listening to the dynamics of each radio-appropriate song. Our future and the future of radio depends on our ability to listen to these bands, listen to their music and listen to their potential to become new people.

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