How To Find Where Music Is Coming From On Mac How to Choose a Microphone to Record Acoustic Violin

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How to Choose a Microphone to Record Acoustic Violin

I tested several microphones to find the device that produces the best natural violin sound. This is difficult because most microphones distort the sound in some way, increasing the specific frequency and decreasing the other. For classical music, the goal is usually to recreate the sound as accurately as possible. (Especially since later attempts to process the sound are rarely rewarded.) Since microphones with a “flat” frequency response are also the most accurate, these seem to work best for classic violin recordings.

And for classical music, a small microcontroller seems to work best because it provides fast response, which is also important in creating the right sound.

Many cap microphones seem to stand out from the crowd.

Either Neumann KM-140 or KM-184 works well. The Neumann KM-84, an older version of the KM-184, is also a good microphone. It’s a little darker than 184, but a little noisy.

Another great option is the Schoeps CMC5 body, which features MK4 expression with smooth frequency response and clear sound. Schoeps seem to have three fewer voices than Neumanns. This is because Neumanns have a small treble rise and are not as flat as Schoeps in frequency response.

Finally, the low-cost AMT (Applied Microphone Technology) recently released the Studio Microphone (AMT 404 set 2), which has a flat frequency response and is good for the studio. They are also cheaper than competing options. I own this pair and am happy.

Although they are often recommended for acoustic violin recording, I am not happy with a ribbon microphone like the Royer R-121. To my taste, these microphones lose much of their violin character and make the sound seem one-dimensional. They cut out a lot of medals. (It may seem good when comparing Royer to an inexpensive microphone that can make violin sounds too bright and stubborn.) Royers are best for acoustic, electric and brass guitars.

Another frequently introduced microphone, the AKG c451E, sounds great to my ears and is very stressful. This microphone is perfect for throwing and acoustic guitars.

Do not forget that the choice of your audio interface is also important. If you have a mac you will need one that supplies phantom power (48 volts to power mics). For mac users, apogee duet with phantom power is a good choice and affordable. There really is no competition for a song in its price range. Because it has only two inputs, this song is cheaper than other similar models with multiple inputs that can cost over $ 2,000.

In addition, the choice of your microphone placement and the number of microphones are important. Stereo recording is important for classic violin sound, and for best results, the microphone is placed at least three feet from the violin and often above the head. One microphone can be used to capture the violin closer and the other to capture “rooms” that can add body and “reverse” to the sound. Frequent experimentation is the best way to find the best microphone stand.

“Room” is also important. The small diaphragm microphone is very sensitive and will capture almost any sound in the surroundings, even the humming sound from your refrigerator. So it is important to make the room as quiet as you can (even if you have to unplug the refrigerator!) A large room is usually better than a small one. (Small rooms can make the sound seem muddy or poorly defined). High ceilings are usually good. Parallel wall separation reduces echo and reflection. Furnished rooms can do the same. Hardwood floors are great for sound.

And if all else fails, there is always a recording studio.

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