How To Get Into The Music Industry As An Artist Music Business Books – 2 Best Choices For the Serious Musician

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Music Business Books – 2 Best Choices For the Serious Musician

If you are a musician who cares about making money in your chosen field, you know that you need to educate yourself about the music business. Of all the great music business books out there, the two that stand out are the best for musicians who are ready to make a serious study of the music industry.

Donald Passman What you need to know about the music industry Is a great choice for performing artists; In addition to delving deep into the uncertainties of copyright, royalties, and recording contracts, he walks musicians through the critical process of recruiting lawyers, managers, accountants, and other career managers. The great strength of this thick book is in its detail; Passman takes the general music business terms and explains what they are and how they affect artists. Passman’s hilarious explanation and re-enactment of the record label’s practice of reimbursing all album expenses against the artist’s royalties are good examples. Of information that musicians need that is presented in a way that is easy to swallow.

Eric Beall Make music to make money More focused on songwriters, especially in pop, rock and contemporary music for adults. Beall’s book takes you – also with humor, which is more disrespectful than disgusting – through the process of getting music from your desk through the copyright office, to the industry executive. Music, past details of the contract, standard records to the party, entry into the store, recording commercials, movies and logging into your bank account. Beall’s rich explanations and instructions on the art of “plugging songs” that take your song to people who can use it are worth the book. So does the fire he sheds on the work of musicians who decide to share the printing work more closely with their publishing company (called co-publishing) or manage all the publications themselves (so-called self-publishing).

Musicians hoping for a lucrative career should consider buying both books. Together, they provide a comprehensive overview of what awaits musicians in the music business. The first book gives artists details about what they will face and the teams they can create to help and protect them. The second book gives songwriters the knowledge they need to get their music from their desk to make real money for them. Do not think of these books as the end of your study and do not take them for quick or casual reading tasks. If you need information for a moment, that will not be accurate. On the other hand, the music business is a complex animal. The time you spend with these two books will pay you back throughout your career.

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