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The History of a True American Musical Art Form – The Blues
In the history of music, there is probably no music style that has influenced “folk music” more than the Blues. Blues also features a “American” music art form. As we will discover the roots of the music style of Jazz, Rock, Gospel and music artists from BB King, Elvis Presley, The Beatles and The Rolling Stones to Led Zeppelin were all heavily influenced by the Blues.
It should be noted that the term “folk music” as I used it above is a bit confusing. Too often, we refer to classical and popular music as a completely different form of music. I do not conclude that is not much different. What I am saying is that the word “popular” really has to do with the time a person lives in that time.
Let me explain. If we were living in Europe in 1786, when Mozart was 30 and at the height of his career (he died at the age of 36), would his music be considered popular? If there was a recording studio, an Mp3 radio station and an iPod in 1786, it would be too stupid and simple to conclude that one of his concerts or a piano concert would be a “top ten release?” And if so, would it not be considered “folk music?” I think you will admit that this is an unusual but true fact.
Given that the Blues are so influential, it is important to understand why. The following is a brief history.
The Blues were born in the northern Mississippi Delta after the Civil War. Its sincere and passionate performance is deeply rooted in African American slavery and culture. The first compositions were Field Hollers, Ballads, Church Spirituals, and a dance tune called Jump-Ups featuring a singer who would join in the singing and responding with his guitar. He will sing a line and the guitar will answer. For many years, due to lack of education in music, many songs were recorded and transmitted only by memory. Due to this fact, it is possible that many great songs are “lost in translation”.
The Blues have become the content and hope of African American workers that the spirit of marriage with these songs reflects his inner soul to all who will listen. Rhythm and Blues are the foundation of all forms of African American music. The Blues, with its 12-bar, dissonant 7th chord progression and bent-note-note, are the original tunes of oppression, bonding themselves together through their soulful cries for freedom and equality. From its origin at the intersection of Highways 61 and 49 and the platform of Clarksdale Railway Station, the blue eventually began to expand and head north toward Beale Street in Memphis.
The word “The Blues” refers to “The Blue Devils” meaning sadness and grief. The first use of the word in this sense is found in George Colman’s book The Blue Devils (1798). Although the use of the phrase in African American music may be older, it dates back to 1912, when Hart Wand’s “Dallas Blues” became the first blues composer.
The form of the Blues was first introduced about 1911-14 by the black writer WC Handy (1873-1958). However, the blues and poetry forms of the Blues first became crystalline around 1910 and gained popularity through the publications of Handy’s “Memphis Blues” (1912) and “St. Louis Blues”. (1914). Blues music was recorded in early 1913. During the 20th century, blues became a national passion.
Mamie Smith recorded his first blue song, ‘Crazy Blues’, in 1920. The influence of the Blues on jazz brought it into the stream and made a record for blues singers like Bessie Smith and later in the 1930s Billie Holiday.
In northern cities such as Chicago and Detroit during the 1940s and early 1950s, Muddy Waters, Willie Dixon, John Lee Hooker, Howlin ‘Wolf and Elmore James, among others, played what basically the Mississippi Delta blues. Supported by drum bass. Piano and harmonica occasionally and began to score nationally with blues songs. Meanwhile, T-Bone Walker in Houston and BB King in Memphis are paving the way for guitar playing that combines jazz technique with blues tones and melodies. It is also important to say that the roots of Jazz started with the Blues. So without the Blues there would be no Jazz!
In the early 190s, urban whites were “discovered” by young white American and European musicians. Many of these blues-based bands, such as Paul Butterfield Blues Band, Rolling Stones, the Yardbirds, John Mayall Bluesbreakers, Cream, Led Zeppelin, Canned Heat, and Fleetwood Mac, brought the blues to Young white audience, what a black blues artist. Not possible in the United States, except through the white mask of black music and blues. Since the 1960s, rock has undergone many revivals of blue. Some guitarists, such as Eric Clapton, Jimmy Page, Jimi Hendrix, and Eddie Van Halen, used blues as a basis for offshoot style. While creators such as John Lee Hooker, Albert Collins and BB King – and their heirs Buddy Guy, Otis Rush and later Eric Clapton and the late Roy Buchanan – among many others, continued to make great music. In the blues tradition. The latest Blues players are Robert Cray and the late Stevie Ray.
Today there are many different shades of blue. Forms include:
Traditional County Blue Pants – A general term for the rural blue of the Mississippi, Piedmont and other rural areas.
Jump blue – A danceable combination of swing and blues and a prelude to R&B. Jump blues were pioneered by Louis Jordan.
Boogie-Woogie A piano-based blues popularized by Meade Lux Lewis, Albert Ammons and Pete Johnson, and from barrelhouse and ragtime.
Chicago Blues – Delta electric blues.
Cool blue Intricate piano form that owes much to jazz.
West Coast Blues Popular with Texas musicians who moved to California. The Blues on the West Coast were heavily influenced by the counterattack. €
The public’s love for the Blues seems to be on the rise. In Dana Point, California, next to the Doheny Beach mine, there is now an annual Blues festival that continues to grow. Others are available in Portland, New York, Chicago, San Francisco and the list goes on.
For me personally, the Blues have always been a part of my life. When I play the guitar and sing with other musicians, it is the easiest and most enjoyable form of popular music to “catch” with. When I was growing up, my parents owned a music and rock club called The Four Muses in San Clemente California from 1965 to 1975, we always had a Blues band. The most interesting is the famous Blues Duo by Sonny Terry and Brownie McGhee.
My only personal problem with listening to multiple Blues is that it can be repetitive and does not sound “fresh” due to the consistent use of the standard 12 bar Blues Chord Progression. That said, I highly recommend that everyone try to listen to some live Blues this summer. The music and crowds it attracts usually ensures a pleasant experience.
Thanks for reading!
Jonathan Morgan Jenkins
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