How To Get Music To Play While Recording A Video Memoir of a Rock Drummer – Part 1, The Silos

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Memoir of a Rock Drummer – Part 1, The Silos

In my opinion, The Silos of the late 80s and early 90s was a kind of Rock ‘n Roll. The band has unlimited potential and can set the tone for guitar-based rock bands. We who are involved in this group know this very well. Although our RCA record has received great reviews, the way the Gainesville / RCA course unfolds is completely disappointing. The record is crazy. (The band’s best recording was a live recording of the tour by our performer, Joe Chianicci. I stayed a little longer than JD Foster and Bob Rupe, recording many songs. My last trip with the band was a difficult six-week bus tour of Germany, Austria, Spain and Switzerland. The story of my involvement in the band and our unique label recording.

Richard Ford

In 1987, bassist Richard Ford had just finished working with Joe Jackson and settled in the independent music scene in New York. Richard also played with Bill Nelson of Bee Bop Deluxe as well as many others. Originally from England, Richard came to the United States and lived near my hometown of Randolph, NJ before settling in Hoboken. He instructed me to work regularly, for which I will be forever grateful. He is a true musician and will be greatly missed by The Silos when he leaves the band.

Silos just voted America’s Best Bands According to opinion polls, Rolling Stone magazine critics are looking for new genres to take them to the next level by getting them to sign a contract with a major record company. Richard was asked to play the bass and he introduced me to a drum seat. The lines of The Silos are Bob Rupe and Walter Salas-Humara on guitar / vocals. Richard Ford and I were on drums and bass.

Signing

In addition to the new rhythm section, the band also has a new business manager. Hoboken Real Estate Agent Mark Zoltak. Mark is a former NYC DJ and the motivating muscle behind the band. He had a great idea and knew the song better than we did in the group. He always talks about his ideas and has a strong idea about music. For Mark, music is great or it sucks. Not in space. Mark really understands the essence of Silos. He got it. He devised a business plan to release an improved band and signed a major label. The band quickly became unbeatable live and performed at dozens of industry exhibitions in Los Angeles and the Northeast. The plan worked. In March 1989, the band was signed to RCA Records by brand director Bob Buziak. The trick now is to capture the true essence of the group at the studio.

A One Man Band

I was not involved in the band’s day-to-day business, so I can not explain the reasons behind most business decisions. As the shooting date for September approaches, it is clear that there is a power struggle within the group. Walter in particular is making us known as a band His. Brain child. (Subtext: “The record deal is all mine !!”) Although Walter is a great songwriter, he is not. Enough Singer or guitar player. It’s Bob Rupe’s Otis Redding vocals and Neil Young guitar style featuring Walter’s contribution. It was the way the group executed the songs and the way we played together that made us a great team. It is my hope that Bob will hold on to his co-leadership status by looking at Walter’s takeover. To my disappointment, however, Bob took on the role of second-in-command.

To make matters worse, Walter then began introducing drumming on the upcoming record. Yeah! Just what I needed, right? A month before our meeting, he invited me to his apartment for dinner. After a meal in silence, he turned on the stereo and played the songs of great drummers such as Al Jackson and Levon Helm. He then played some of our performances where I played the drums. From where he gave this mandate: “Start playing like one of these drummers or I will find someone else to play the drums in the group.” I think, “Which backpack!” Yeah Al that sounds pretty crap to me, Looks like BT aint for me either. Also, not the drummer he sought and hired to be more successful – ME! Please do not think I’m wrong. Most of my job as a drummer is to listen to others and execute their music when they hear it. It is also my experience that when someone pulls something like this, there is always a bad reason. This is his first move to play drums on our record. It is a need for management that will make everything else. Even if it means he will ruin the team record deal and the chances of success.

There is a great deal of exaggeration in the fact that the man who was the worst singer, guitarist, drummer and producer. In fact, the worst musicians on the band are the ones who want to play all the instruments and do everything themselves. Walter is not interested in becoming a member of a band unless it is a single band. His desire to play the drums will weigh heavily on our upcoming Gainesville recording session and will eventually destroy my desire to work with him altogether. Meanwhile, while taking a coffee break from one of our many Hoboken test sessions, Richard revealed to me that he was quitting and would not be joining us in Florida for the record. For me, that was the beginning of the end.

We plowed forward. Austin-based JD Foster will replace Richard on the bass. Cowboy Junkies producer Peter J. Moore is brought from Toronto. Ed Bair will perform home / stage sound and Peter Yianolis will be the recording engineer and operator of the mobile truck. On September 25, 1989, the band and crew settled in a rented apartment in Gainesville, Florida, ready to shoot.

Why Gainesville?

During The Silos, my real home was on Bergen Avenue in Jersey. Richard, Walter and manager Mark Zoltak all lived in nearby Hoboken. Bob lives in eastern Manhattan. We are all within a few miles of each other and within easy reach of downtown Manhattan, home to many of the world’s most famous recording studios. However, Walter somehow convinced RCA executives that our record recording in NYC would be too disturbing (from what?) Instead we had to film in Gainesville, Florida. The fact that there was no proper recording studio in Gainesville led us to an abandoned theater. We used the stage and the hall for live sound. A mobile recording car was parked near the building, where producers and engineers spent most of their time. In fact, this made for interesting stories and good news. However, for us, that is all we get out of it. While rehearsing in the theater, we received word that RCA President and Silos # 1 supporter Bob Buziak had been fired.

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