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Literary Cubism – A Non-Structured Structure For Twenty-first Century Storytelling
Today, the world is moving faster. From political voices to the latest teen stars (Who is this week?) To the rolling scenes of music videos, movies coming to stories to everything else instead of their place, and then they go.
But good literature is meant for taste. It stays on. Touch. Whisper. Long after the written word is gone, they play music in our hearts. Here is the problem. How can 21st century literature fit into a world that is moving faster to the desired public and expecting a series of attractions?
One answer: cubism literature.
The 11th edition of the Merriam-Webster College Dictionary provides definitions of cubes that describe the artistic style of abstract structures that present multiple aspects of the same object simultaneously in a divisive form.
“Same stuff” in the job definition is my thing. The “Multiple Views” form and sections I present include poems, messages, emails, personal notes, and legal documents to name a few. And yes, there is room and necessity for a block of traditional proverbs in cubic literature.
Cubist writing is liberating. It adds to the author’s toolkit for telling his story. We always have descriptions and conversations to set the scene, create emotions and create compelling characters. It feels good to now have the text of an email message to do something or all of that. We can also access poems, personal notes, grocery lists and other written media forms. All of these can be used to great effect, to show lifestyle, to define a character’s motivations and emotions, or to draw stress and emotional forms of relationships.
As I said before – liberation.
Enough about the theory of free language expression; How does cubism play a role in practice? Very good. In summary, “Resolution 786” tells the story of a traumatized American engineer who finds himself in a combat operation in the Iraq war while simultaneously trying the Lord for crimes against humanity in the courtroom. Cubism literature has made it possible to create a tapestry of unifying experiences across these vastly different settings, the experience of spiritual self-realization in the context of the physical realization of human death. Cubism has given me the license to develop this diverse story and to create my central theme using a variety of literary media that portray the perspectives of many different characters. Of course, one painting contains most of the set of e-mails written by mothers, wives, daughters, lovers and girlfriends of soldiers fighting in Iraq. In writing that part of the novel, I was fascinated by the ambiguity that writers can create characters and define relationships via email.
But as many licenses as the literature provides, there are still some “do not drive” lanes on this literary road. Do not use incorrect grammar, spelling, or punctuation (unless you are Cummings “drawing” the poem on the page). Do not use uninteresting flat words. And whatever you do, do not let your focus wander away from telling good stories. The greatest literary art is useless if you fail to tell a good story.
Yes, with cubic literature, you risk making your story into small parts of the story and the story does not combine, but you risk the same in traditional proverbs. Rewriting, editing and re-imagining enhances your multimedia integration. And as one character in Resolution 786 explains while defending against criticism of realism in Kafka’s The Metamorphosis:
“I do not think Metamorphosis really happened. Samsa did not turn into an insect. If he turned into an insect, he would stop thinking about his spirit. Samsa became a person trapped in Insects, which are fundamentally different from being insects. And in fact, if the artwork does not have a traditional structure, it does not make sense. “The whole idea is not there yet. Some form or content that is valuable or as a guide.”
So go wake the insects. Go and judge the Lord. And feel free to use the cubist structure through it all.
I find cubism literature to be a sharp, fresh, and consistently interesting method for creating novels. Considering how fast our world is moving today, how light and diverse our media and entertainment tastes, I am surprised that more and more writers do not use cubes. It’s a great structure for storytelling in the twenty-first century.
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