How To Identify The Key Of A Piece Of Music The Secret Piano Chords of Gospel and Soul – How to Get That Sound

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The Secret Piano Chords of Gospel and Soul – How to Get That Sound

Harmony is where you take something as simple as a single note, a finger tune, and turn it into a song that you are playing more than one finger at a time. Reconciliation is where you take an existing song and play it with a completely different chord, perhaps for the purpose of giving it a fresh and contemporary feel.

If you have any knowledge or experience in reading music, I am sure you know that the music from the church hymns that is played as it is written is boring and simple. Have you ever been to a church where the organizers or pianists were reading the hymns, but you know for sure that what they are playing is not what is written in the hymns and wonder what the hymns are? Where is the sweet? Where do they play from? They reconcile when they play!

The process of reconciliation is something you will be able to do almost immediately after you understand the process.

Have you ever heard a song that you have never heard before, but performed by an artist you know, and you can immediately identify the artist and say, “Hey, is that Stevie Wonder or is it Rachel?” You can do this because you recognize the harmony of the artist. Musicians tend to go for the harmony that they like; Used often. It is the harmony of the musician that defines the musician and who they are. It is the harmony that defines the style of the artist and gives you the ability to recognize them even if you Probably never heard the song.

Writing about harmony is included in a comprehensive set of formal rules. However, harmonious music almost always sounds like classical nature, and the chords and chord movements are predictable. This is because the harmonious process usually follows the traditional rules of harmony.

Music has been harmonized by hand for a long time. That is, whether you always type notes or chords into a machine, such as a computer or handwriting, they rely on their knowledge of the laws of harmony or on what they think sounds good for their ears. It is a tedious process and it is difficult to agree on all the rules.

The automatic harmony instrument has been a feature on electronic pianos and keyboards for many years. It also has hardware and software to assist in the harmonization process. However, the resulting harmony is always a very normal sound. The resulting chord is usually the seventh big chord and the lower chord.

The resulting harmony almost always sounds like ancient nature, and the chord movement is predictable. This is because the harmonious process follows the traditional rules of harmony.

In classical music, sometimes breaking the rules is necessary to achieve a certain effect. Following traditional rules will not yield harmonious results that reflect the music genre of black gospel souls and R&B.

When we look at the types of gospel and soul, the harmony of a melody is happening without the rule of law. The official tradition of harmony. The traditional law of harmony is broken. You will not find any official instructions or written documents about what is happening here. It is a violation of the rules as a result of that sound and the change of those beautiful chords.

There are two issues you must overcome to get that beautiful sound.

1) Stop playing those simple chords (eg major. Minor, seventh, dim).

2) Stop following the traditional rules of harmony.

Now let’s look at a simple example. We all know the key of (C). Here are the keys with all the white keys on the piano and the notes (C), (D), (E), (F), (G), (A), (B) and (C). .

I’m sure you have a headline many times that when you want to harmonize a song, you should use chords that correspond to (I), (IV) and (V) of the scale.

The chord (I) is the chord that corresponds to the first note of the scale of the key where the song is located. So in scale (C) the first note is (C) so it will correspond to (c) the chord.

The chord (IV) is the chord that corresponds to the 4th note of the scale of the key where the song is located. So in scale (C) the fourth note is (F) so it will correspond to (f) the chord.

The chord (V) is the chord that corresponds to the 5th note of the scale of the key where the song is located. So in scale (C) the fifth note is (G) so it will correspond to (g) the chord.

So in the key of (C) they are telling you which chords to use, (C), (F) and (G) to tune your music. Let me tell you – it was one of those moody times where he would break into endless soliloquy with himself.

In every part of the music you will be able to find chord movements that change from chord (V) to chord (I). This is known as (V) – (I) progress. In the key of (C) this will be the chord (G) moving to the chord (C).

Here is an example of an animated chord note:

Chord name / left hand note / right hand note

————————————————— ————– —————-

G Major / G / GBD

C Major / C / EGC

————————————————— ————– —————–

Now it sounds boring and normal.

Now let’s do the same move, breaking some rules.

As an example, one or two things we will do are:

1) Replace simple chords with more advanced chords.

2) Add chords that are not even in scale (C) between chords (G) and (C).

This is a new chord movement.

Chord name / left hand note / right hand note

1. G9sus / G / FACD

2. G7b9 Extra 6 / G / FBE Ab

3. Eb 6,9 b5 / Eb / GCFA

4. Db7 # 9 / Db / F Ab BE

5. C 6,9 / C / EADG

We replaced the simple big chord (V) (G) with G9sus and we replaced the main chord (I) (C) with C6,9. Both of these are very nice chords. We also added one more chord (V), G7b9 plus 6. Then we broke the traditional rules and added chords based on notes that were not even in scale (C). No (Eb) and no (Db) in scale (C).

We still have (V) – (I) running from (G) to (C), but we added some nice chord transitions in between.

If you told someone you were going to play a chord that was not even in scale (C), they would probably look at you like you have two heads and think it sounds scary. I am sure you will all agree that the above animation is beautiful. If we want to go further and really sound nice, we can also play some kind of chord (Gb) and (Ab) even though these two notes are not in scale (C). This is one of the many important points that there is no documentation on getting ‘voice’. Play chords based on notes that are not in the scale of the song.

To get that beautiful sound that you are looking for, you will have to break the traditional rules of harmony and look at things in a whole new perspective.

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