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More on Drum Tuning!
All we want to do is find a good note for the drum. *
By adjusting the stress evenly, you will find a note or tone that suits you. Personally, I usually understand that it is moderate to slightly less than the average stress that is most satisfying to my ears. I also find this very effective in the studio.
If you are looking for ‘that note’ for yourself and find out where that tone is, then I suggest you to listen to the best studio players again.
Relax .. This is important and do not want to miss …
I recommend a few listening options here. Listen to Steve Gadd, Paul Leim, Jeff Porcaro, JR Robinson, Bernard Purdie and Vinnie Coliauta for a start. All great studio legends. Try to find an original recording, not a YouTube performance. This will give you a better perspective.
You will find noticeable similarities in tone.
* Back to drum adjustment. *
At this point, when I found the tension, I put the lower head on the drum and run again. By bringing the bottom head up to a similar tension and slightly higher, I was able to get the best notes out of the drum as it relates to my ears and my taste. It takes a few minutes to adjust, but then the drum approaches and then it ‘s singing’.
Be sure when you are checking the adjustment that you hold your drum by hand by the edge or screw, as if it were hanging by hardware. Beat the drum and then make minimal adjustments to the adjustment. When you are looking at adjustments, you want to recreate the physical environment in which the drums live as closely as you can.
The same process applies to trap drums as well. Start with great tools, good head selection, software and adjustments and you are well on your way. One note, if you play with multiple edges on the trap, be careful to watch your strings under your stroke position. They tend to loosen quickly.
This is an issue that is often overlooked. The trap itself is delicious. Be careful to take care not only of the health of your snare batter, but also of the snare. Check them every time you place your trap drum on the stand! They are responsible for creating the most important part of your voice!
I always carry a wire cutter with me in my toolbox in case I break the trap wire. If I break one, I am careful to cut it as far as I can and check the balance of the trap by Make sure they can not hold and vibrate properly.
In terms of trap editing and diversity, I always present a section with four traps. The manufacturer will choose one of the traps given depending on the material. I carry Ludwig Black Beauty brass traps, Taye maple wood traps, Pearl piccolo brass traps and DW maple wood soprano traps. All drums have the same head options as previously mentioned.
Remember! When you install your trap on the stand, make sure the bottom trap is running under the top trap microphone mount. Engineers say they can hear the top sound from the trap from this type of drum holder.
* Bass drum adjustment. *
The best way I can describe the bass drum adjustment is I want to show a certain attitude. I try to give myself all the flexibility I can in my general adjustments and I use all the options available to me. When I say general tuning, all I want is for the drum to sound good, whether it hits hard or soft.
First of all, I would like to say that they should not show up to the episode without a good head and a good head. It should be manageable.
All I want to say is that it should not be open without getting wet. By cutting a hole in the front of the head, many things are accomplished. Engineers can access the inside of the drum for micing purposes. You can adjust your humidity inside the drum to both the front and rear. And you can adjust the wetness of the front head.
The front head plays an important role in the bass drum sound today and forms a low octave and requires the decay of the drum. But it needs to be constantly adjusted depending on the room or acoustic situation.
* Do not show up to an episode without a good adjustment in front of the head on your bass drum! But … do not show up to an episode with the front end closed on both sides! *
Regarding the mute of the drum:
I added a small panel that I could edit. I have a sandbag at the bottom of the drum that will be where I put it. I can apply more on the beater or less depending on what the producer wants. Sometimes we take it out immediately and leave the drum open. The idea is that you want flexibility in this area. You do not want a big pillow in your bass drum, but you do want the ability to change the tone and tone when needed.
I can also remove the two top earrings at the top of the bass drum beats if I want more sound or slapping. And there is less sound or ringing to the drums.
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