How To Make A Video Collage On Facebook With Music Part II: Video Montages Tech Talk Tutorial

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Part II: Video Montages Tech Talk Tutorial

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When we finally left, you successfully passed the PAL / NTSC option and decided whether you want your cropping to be 4: 3 / Full Frame or 16: 9 / Widescreen and choose whether to create the cut. Your video or not – definition video, commonly referred to as hi-def or in standard definition video is also known as standard def.

You should also find out how to import your photos and video clips into your project and now you are ready to get started.

Entertainment figurines for an event such as a wedding, a bar or a sweet bat mitzvah 16 or quinceañeras are most effective when it tells a story. Rather than just walking from photo to photo while some music is playing in the background, you want the sculpture to illuminate the audience as to who the subject of the sculpture is – what makes him, she (or they) the person they are. As shown through photos, videos, music clips, sounds and graphics. I will not spend much time explaining how to achieve the best, as this series focuses primarily on the technical aspects of sculpture creation, and it falls into the creative space a bit, but there is an overlap in Here I will touch on some of the technical tools used to create effective montage.

The basic elements that include the montage are as follows:

  1. Picture / Picture
  2. Voice
  3. Title or graphic;
  4. Transitions;
  5. Special effects

The “image” or image seen in the sculpture is primarily (a) occupied for a period of time on a photograph; Or (b) allow the video clip to play for a specified period of time.

With photos, cropping will be more enjoyable if you can use “Camera Motion” during the on-screen photos. Different software packages will allow you to create these animations in different ways, with the end result allowing “camera movement” to zoom in, zoom out, or move in any aspect of the image. The speed at which the move will occur depends on how long the snapshot is on the screen and the size of the application move.

For example, suppose you have a large portrait of a person standing on the beach and the full portrait of a person is only half the height of the photo. If the photo stays on the screen for two seconds and you program the computer to start by showing the whole photo and then you want it to end up close on the person’s face, that is a big change that will happen over time. Two seconds. The movement to get there will be agile. It will show up slower if you delay the length of the photo on the screen or if you choose the last point that is not as different as the starting point – like leaving the full photo to finish the image of the person from his head. Down to his knees rather than just his face. Then it will take slower camera movement to get there.

As in the film, moving the camera also serves to point the view of the photo to the viewer. They help “tell a story”. If you start taking intimate photos and then “pull out” to show objects or other people, the viewer will get a certain feeling, “Looks like little Mikey is having fun on the beach. Oh, he’s there with you.” Cousin Bobby! ” Or if you start zooming in on a group of people first, the viewer will be shooting the whole group … but if you zoom in on a specific person, the camera movement will focus your attention. As an indication of something about that person, “Look at Lisa’s show! She’s staring at the person standing next to her.” This way, you can make static photos more exciting and informative by transmitting information gradually.

Keep in mind that moving the camera is also effective when it is not the same over and over again, but there is a difference, i.e. sometimes starting wider and moving closer. Other times, start close and pull back wide.

Video clips should be selected to help add to the story of the person featured in the painting. Be careful not to use the clip too long – keep asking yourself what is the shortest length for which the purpose of the clip is transmitted, and then move on to the next material.

Sound can be audio from a video clip or a selection of music, sound effects or sound effects, or a combination of all. Obviously with photos there will be no natural sound, so all of the above can be used to make the photo more interesting. Also, just because a video clip has sound to it does not mean that you can not have more sound, such as music or sound effects that you add to it. Also, there may be cases where you do not want to hear the natural sound from the video clip, but you just want to use the clip for its image, with a different melody behind it. Image and audio should always be thought of as two separate elements, and you have unlimited freedom to change whatever is there in the first place. Again, these options are something that comes together to help you tell a story through cuts.

A title or graphic is an item created in your editing system (or elsewhere) that displays visual information. Captions can be displayed in black (or any other color or background) or they can be added to a photo or video clip. Captions and graphics can be an effective way to share information in your “story” and even serve to add some diversity to the visual effects of your paintings, so viewers can take a break. From viewing photos and video clips. It can serve as a separate part of a photo for a purpose or to create a specific photo or video.

Transitions are the way you transform from sight to image. The simplest is known as cutting, which simply replaces one visual with the next on a specific frame of video or dot in time. For cuts, cuts can be effective when they occur in time with the beat of the music. . Cuts can also be intentional or not.

A softer or softer way to transition from one image to another is with a melting or erasing effect. Dissolution is the gradual replacement of one image with another over a period of time – which can be adjusted in length. Importantly, one image fades away while the other fades in, creating more lyric changes from One by one. “Wipe” can come in many styles. Images can slide off the screen while other images scroll over; It can rotate, bend, split; Compact; Etc. There is circular deletion, page deletion, pixel deletion and so on. As computers became more sophisticated and software packages developed, the amount of “preset” uninstallation only increased.

Caution words. Beware of towels!

They look cool when you first look at them, but if you use them too often, it can be annoying and eventually look delicious or cheaper than the cold – the opposite effect you might think. In my opinion, cutting and melting is the “most ancient” tool, with the occasional use of erasing creativity as an effective way to bring some variation to the sculpture. But use it sparingly! Just getting it does not mean you have to use it!

Special effects can also be effective if used occasionally. One trend that has found its way into event decoration but is starting to get into the “cheesy” area is the use of combinations. Green screen with video clip. This is where the characters in a scene (usually created for this purpose) are incorporated or combined into a background or other animated image, such as a popular movie. The biggest beef I had with this was not much of an idea, but a poor quality of combination work. Green screens / combinations are hard to do well. In fact, I directed an important story where we shot two-thirds of the story in front of a green screen. It’s a movie called Gamebox 1.0 (look it up on video or TV!) And it’s about video game testers who find themselves in video games and the only way to win the game. (Upcoming Tron movies have a similar basis). So I understand the green screen work. To make the screen green properly, the right tools must be used and it must be fired in a certain way to make the combination look good. To believe. If you can not do it right, do not do what I think! There I spoke of my peace.

Obviously with special effects in general, if it “adds” to the story of the montage, great to do it. If not, do not do anything. Sometimes simplicity is the best way to tell a story.

Now it’s time for you to get busy putting the montage together using all the items described above. Enjoy the memory!

End of the second part of our series …

Stay tuned for the Video Montages Tech Talk Tutorial Part 3, which will cover the technical aspects of finishing, trimming and preparing for its big screen display.

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