How To Make Your Music Sound Good On All Speakers Near-Field Speaker Placement – How to Instantly Improve the Sound of Your Studio

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Near-Field Speaker Placement – How to Instantly Improve the Sound of Your Studio

One thing that is often overlooked by most recording studio owners (from the smallest home studios to the largest multi-room studios) is how the monitors are positioned. It can make a huge difference in the frequency balance and the stereo field, and although it should be the first thing to be addressed before you get into any serious listening, it is usually left out. Until later, when something goes wrong. Here are some things to try and get the right placement for your room. Do not be surprised to find those speakers that you did not think sounded good before coming to life.

A. Check the distance between monitors.

If the monitors are too close together, the stereo field will be painted with no clear definition. If the monitor is too far apart, the junction or “sweet spot” will be too far away and you will hear left or right, but not both together. The rule of thumb is that the speakers should be as far apart as the distance from the listening position. That is, if you are 4 feet away from the monitor, then start by moving them 4 feet apart. You can edit them either in or out of there.

B. Check tHe angle of the monitor.

Incorrect angles will cause repeated blurring of the stereo field, which eventually means you will hear a lack of instrument definition. The correct angle is strictly determined by taste, with some mixers preferting the monitors to place the angle directly at their mixing position, while others prefer the intersection point (the point where the sounds from the tweeters combine) somewhere from 3 to 12 inches behind them to eliminate some of the speaker’s “exaggeration” (if they have any).

C. Check hThe monitor is mounted.

Monitors that are mounted directly on top of a one-meter bridge of the console or on a computer desk without any breakage are subject to filter set effects, especially at low levels. That is, the sound travels through the console or table, then across the floor and into your ears before the sound directly from the monitor through the air (because it is a thicker material and travels faster) causes a phase cancellation. This can be more or less serious depending on if the speakers are mounted directly on a metal meter bridge or table, or are mounted on a carpet or similar material that covers the steel meter bridge (very popular). The best way to disconnect the monitor is to use the same method used when installing your master monitor soffit. Set the adjacent field on a 1/2 or 3/4 “piece of open cell (soft rubber) and pasting will no longer be an issue.

D. Check tLocation of tweeters.

Most mixers prefer tweeters of two or three external path systems, thereby extending the stereo field. Occasionally the tweeter to the inside works, but usually causes a stereo image. Try both, because you never know.

E. Check tHe sets the table or console.

The angle of the table or console, the type of material used for the keyboard and switch panel, the type of paint, and the size and composition of the armrests all make a difference in sound due to the reflections that cause phase cancellation. If the sound of fields near the table or meter bridge is not acceptable, try moving them to you using a magnifying glass or placing them on a stand behind a table or console (do not forget to remove them). Out).

Sometimes monitors near the field can get bad rap which is unreasonable due to the above problem. A little experimentation is in order before you can say that a particular monitor does not work for you. You will be amazed at what an inch difference can sometimes make.

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