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Seven Suggestions For Getting Creative With Guitar
So you play guitar and want to be creative? Tired of doing weight training until your fingers feel like they’re glued to your hands? Do you want songs that no one else wrote or your own songs to appear?
It’s not hard to come up with new licks, new melodies, new song ideas. Some guitarists have little trouble perfecting the second intro to “Crazy Train” or “Villa Lobos” but can’t come up with an original song idea that saves their fingers, while others can come up with new ideas just by tapping their fingertips. curtain panel. To get this key change right, you might be afraid to beat something as trite as Spanish romance for the tenth time.
As someone closely related to the latter, I’m here to give you the basics of how I come up with new song ideas every time I start recording.
1. Chord. Play the chords you know. Turn them over. Play them in different voices and transpose that Bb Maj7 to Am7. Learn new chord types. Do you know all your major and minor inversions? Good. Now learn the major seven and minor seven inversions. Don’t ignore those delicious diminished, diminished sevenths, augmented, augmented sevenths, etc. The more chords you know, the more colors you’ll have in your palette.
For those who are easily discouraged by simply playing songs written by others, this will help you improve your chord skills and learn to find harmonies by ear and hand by changing chords. Sometimes you go from a major sixth to a diminished seventh, and it sounds so right. Then try to find the next chord that sounds perfect after you’ve diminished. You’ll likely find tones that represent the open strings, especially E and B, on the upper strings. With a variety of voicings, you can develop great-sounding chord tones.
2. Scales. Learn new metrics. Learn the key ingredients. Learn the notes. Scales aren’t just for solos. Scales can be an effective way to create new licks as well as full-scale melodies. Of course, the main measurements you want to know are your Ionic and Aeolian scales, which are simply your major and natural minor scales. You’ll learn harmonic and melodic minors, Dorian and Phrygian modes, blues scales, and more. You’ll find yourself with a bit of a lead when you’re just playing with scaled formations. Don’t throw them away. Remember them and record them.
http://www.looknohands.com/chordhouse is a site that has a lot of information on both basic and exotic scales, which I have found immensely useful. In addition to learning scales, we hope you’ll have fun doing it and find that scales are easy to learn and generally easy to use when playing.
3. Play single notes. Sometimes you expect to know whether you’re playing in a major or minor key, and in which key you’re playing, but you play a simple single note on the fretboard without thinking about the regular scale. However, as a keyboard player, I find it easier to come up with melodic lines on the guitar than on other instruments. Playing single notes is a great opportunity to train your ears and hands to coordinate. It also allows for work on slips, slips, and wire bending. But as mentioned earlier, a single note can be the resource to create a beautiful melody.
If you don’t know how to play the keyboard to match the melody, you can create a chord melody by running a chord melody to carry both the melody and the harmony. If full chords become too much of a problem, you can simply play two notes at a time, one for the melody and one for the bass line or harmony. Hear how different harmonic notes change the tone of the melody. The results of this process can be quite beneficial.
4. Be sad and play. For some reason, the voice seems to understand the melody better than our fingers or mind. Maybe that’s why I was always told to sing and play. Play what you sing. What do you play? Tones through this process should be easier for those who struggle with the above method. The melodies created through this process sound more fresh than just looking for notes. Your voice will take some work, especially when challenging the vocal range, but it will show the potential for harmony with vocals and instruments, which is especially valuable on guitar.
5. Improvise on chords. Some computer programs, such as Band In The Box, allow users to create chords for the program to play. They can then play solo with the accompaniment. There are MP3 and MIDI files on the Internet that are simply harmonies. If you know chord progressions or just keys, or know how to find keys, you can make up your own melodies and licks. Even lead and production songs, you can improvise a solo if you at least know the key. If your ears are not used to finding the right note for a song, there is a way to train your ear to do this at will. However, the main thing is that it is a good way to practice improvisation and train the ear, as well as come up with song ideas.
6. Play around to the tune of your favorite song. There are probably some songs that you like to play. You like a melody or something and you know how to play a song, or you can read the notes on a tablet or sheet music. Play these songs, gradually moving away from the actual melody and into a similar-sounding but original melody. I’ve done this not only on guitar but also on piano, and recently I’ve developed a full vocal and chord progression by playing the first two or three notes of a song and then creating my own melody that keeps the emotion intact. from the original. Many great composers have created their own works directly inspired by previous composers. Music, like visual art, is about creating possibilities by arranging and changing basic elements. It’s not plagiarism, which is the same as creating an idea that is completely unrelated to a phrase, quote, or thematic element of a work of fiction or television show. Taking inspiration from the work of others and using that inspiration to produce tangible results is more of a compliment to the artist than anything else, and is how art trends evolve over decades and centuries. Art is unique but interconnected. Don’t forget that. After all, you can be someone’s inspiration for years to come.
7. Be passionate and have fun. Enjoy what you do. I often hear that if you do what you love, others will follow, whether it’s money, success, fame, whatever. Life is too short to lose the riches of experimentation and exploration and sell your dreams in search of security. But whatever you do with your tool has to make sense to you. Doing what you have to do and doing what you have to do gets results faster. Music takes discipline and hard work, but don’t be afraid to step away from your instrument for a day or two when you feel stuck in the middle of nowhere. Always keep your creative juices flowing, but most importantly, love it and have fun.
If you prefer, I encourage you to write down what you think is a good idea by recording chord progressions on a recording device or in the positions listed below each chord. You can write your ideas in a table or standard notation. If you don’t have marking software, blank employee sheets can be found online for free. Print some and keep some to copy where there is a photocopier. Keep your ideas dated. You never know if your idea could become a hit song. If that happens, it would be a shame if someone got away with taking credit because you couldn’t prove that you originated the song in the first place.
I believe that music means different things to different people. I can say that I’m not a musician with a fine line, but when I do what I think is right, people feel that there is a lot of talent there. Don’t question the sophists who tell you what you’re doing is wrong because you don’t follow their narrow view of how music should be played. By denying yourself your own talent by limiting yourself with this mindset, you’ll end up becoming increasingly frustrated with the tool instead of getting rich. There is always room for improvement, but it must be done on the basis of creativity and honesty.
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