Music Videos That Have Nothing To Do With The Song The Mysticism of The Moody Blues’ Lyrics

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The Mysticism of The Moody Blues’ Lyrics

I saw my first Moody Blues concert in the early 1970s. What really impressed me was that they sounded like their own record. A lot of bands build their songs well in concert, but the Moody Blues, my pick for the godfathers of Progressive Rock, had a well-arranged sound. What I didn’t know as a teenager was that there was a keyboard instrument called the Mellotron. The aptly named Mellotron looked like a small organ, but was actually a large recorder. Each keystroke initiated an eight-second tape recording of fast-rewind. These tapes can be almost anything, from the flute intro to the Beatles’ Strawberry Fields Forever to a symphony orchestra. The tapes allowed the violinist to bend the strings end to end, allowing for “attack” and accurate reproduction. The Union of Musicians in Great Britain banned them for fear of putting musicians out of business, but in part they probably did.

Besides frustrating local session players, there were a few serious drawbacks to using the Mellotron; They were prone to damage. Audio tapes tend to stretch, which is not as noticeable on regular tapes because the whole band is smoothed out or at least slowed down, but if the tape represents a single instrument playing with a live band, it’s better left alone. . in tune and rhythm. Tapes tend to break, and knobs, triggers, and electronic mechanisms don’t move very well, which is a real drag for the touring musician. It also had a limit of eight seconds, and the delay needed to cycle through the next note. It wasn’t recommended for playing fast lines, but it was great for arranging smooth pads and slow counter-melodies. With the Mellotron, bands like the Moody Blues sounded like they had been recorded in a concert hall with a full orchestra, and it was amazing.

Many bands, including Lynyrd Skynyrd, used the Mellotron on their classic hit “Free Bird” and lacked the ethereal feel of Moody’s, so what made them “spacey” veteran rockers? With their first hit, Go Now, they began to imitate American rhythm and blues, but they sang with a British accent and were definitely English people. After replacing vocalist Denny Lane with “The Cosmic Child” Justin Hayward, instead of recording a rock ‘n’ roll version of the classic, the record label thought it would be hip to record the symphonic concept album “Days of Future Past” (Switched On Bach by Walter Carlos respectable and profitable (because classical music has no royalties), they turn to their future past.

Hayward’s romantic voice and accompanying image added to their otherworldly quality, but the message of the songs gave the Moody Blues their spirituality. Are You Sitting Comfortably imagines the ghost of the wizard Merlin as they enter the psychedelic age, while Legend of the Soul uses Timothy Leary’s character as a symbol of inner space travel.

Of all the members of the Moody Blues, the group’s flutist Ray Thomas may have captured the imagination of the band’s fans the best. He’s a veteran Cosmic Rocker who immediately embraces the band’s image, and songs like My Little Lovely, with its references to “fairy dust and pixie glue,” help cement the fairy-tale persona. John Lodge wrote a song called “I’m Just a Rock’n’Roll Singer”, criticizing them as dissidents mockingly searching for the “truth” to their followers who expected some esoteric knowledge, but Ray accepted. a no-nonsense concept, but fun all the same.

Finally, there’s a great sense of irony in 1999’s Nothing Changes From the Strange Times CD, possibly the last entry in the Moody Blues discography to feature Ray. It is a litany of dates and events predicted throughout literature; 1984 (George Orwell), 1986 (Halley’s Comet Passage), 2001 (Space Odyssey or M2K, End-of-Millennial Fear) and through them all; nothing will change. Ironically, after September 11, 2001, everything changed. There’s a lot that the Moody Blues know that we don’t.

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