Music What You Know About Rolling Down In The Deep Ten Essential George Harrison Songs

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Ten Essential George Harrison Songs

Everything about George Harrison’s contributions to The Beatles has been notarized and analyzed to death (super guitar playing, soul searching, sarcastic, sarcastic conversationalist, underappreciated songwriter, etc.). But when John Lennon and Paul McCartney gave The Beatles their all (both impatient to continue writing at the level of brilliance that the foursome brought), Harrison found himself in a position to prove himself as a songwriter. own rights. With eight albums in his career, Harrison has written a collection of beautiful songs that rival (and often better) Lennon-McCartney’s best solo material. Here are his top ten works:

My Sweet Lord (All Things Must Pass, 1970): Perhaps the greatest song ever written about God, ‘My Sweet Lord’ gave Harrison his first solo No. 1 hit. A shimmering, shimmering acoustic gem (Harrison, Eric Clapton and members of Badfinger all lend a hand on acoustic), backed by The George O’Hara-Smith Singers (surprise, surprise, overdubbed by Harrison himself) and heathen guitar soloist Noel Gallagher a later pinch in Supersonic proved to be Harrison’s most famous and enduring work, somewhat tainted by a lawsuit that found Harrison had subliminally taken “She’s So Beautiful” from The Chiffons (which was in part instigated by Allen Klein .the Beatles’ former manager!). However, as far as religious ballads go, no one has bettered this song in terms of sincerity and musical beauty.

What Is Life (All Things Must Pass, 1970): With a great Phil Spector arrangement (perhaps his last single with the Wall of Sound effect), this swinging, soulful pop song is perfectly found on Martin Scorsese’s ‘Goodfellas’. (1990) (Scorsese later directed a documentary about Harrison called Living in the Material World). A classic Motown fusion, the song was a hit in the US, but strangely, ‘My Sweet Lord’ fell short of the charts in the UK! Augmented by Harrison’s arresting opening riff, this is the best song on Harrison’s debut.

It’s A Pity Version One (All Things Must Pass, 1970): One of The Beatles’ foolishly rejected songs is Harrison’s wistful look at life, sung over the pantheon of Hey Jude, a shimmering display of piano chords. With its soaring guitar riffs and gospel vocals, “Pity” will forever be cited by Eric Clapton as one of Harrison’s greatest songs. Clapton himself performed “The Concert For George” in 2002 – there was not a dry eye in the house!

Give Me Love (Give Me Peace on Earth)(Living In The Material World, 1973): This is Harrison’s best solo song and rivals “Something” as the best song he’s ever written. Well supported by Ringo Starr on drums, this is a fine piece of pop bliss from Harrison at his peak as a songwriter. There’s Harrison’s humility and vulnerability here, and a delicate slide guitar line (almost Hawaiian in tone) makes this Harrison’s second US #1.

This Guitar (Can’t Help Crying) (Additional Textures, 1975): Harrison’s follow-up to the White Album masterpiece, only Harrison’s instrument didn’t cry. If one can paint a picture of Harrison in 1976, it was a period of uncertainty for him after his American tour in 1974 and his divorce from Patty Boyd. Here he deflects the critics’ sneers (“could climb the walls of Rolling Stone”) to his lonely state of mind (“found himself on his feet”). The Dylan-influenced ‘Guitar’ is an intoxicatingly deep cut.

Crackerbox Palace (Thirty-Three and Three, 1976): A lifelong Monty Python fan and comic voice-over, Harrison delivers this irreverent take on growing up and not knowing where to go. start”. The music video, directed by real-life director Eric Idle (starring Python’s John Cleese and Neil Innes), features Harrison’s song in schoolboy uniform and bon viveur in his Friar Park mansion, the kind of glitzy Goon longs for.

Dream Away (Time Bandits Soundtrack, 1981): Recorded just hours after John Lennon’s death, this song is an emotional and driving soundtrack to Terry Gilliam’s early masterpiece ‘Time Bandits’ (1981). Opening with a no-nonsense rant and ending with a brilliant slide, it’s one of the weirdest pieces of eighties bubblegum pop, armed with the words “mythologically dark” and “traveling through history.”

This Is Love (Cloud Nine, 1988): George Harrison’s return to the mainstream after a half-decade hiatus, armed with Jeff Lynne as co-writer, brought a Beatlesque quality, albeit with lyrics that only Harrison could have written. “Since our problems were of our own making/We can overcome them too,” he sings more than the admonishment of “When we use the power freely given to all.” Perhaps Harrison’s most Beatlite song (either this or “When We Was Fab”) has been a radio mainstay since the late eighties.

Have Fun (Lethal Weapon 2, 1989): Although Harrison’s rockers were few and far between, this “Lethal Weapon 2” stadium rocker seemed as natural to him as a hymn to God. When working with Tom Petty, the title comes from a quote from Harrison’s wife, Olivia, that she would say if the excitement got the better of her. Traveling further afield, Wilbury Jeff Lynne offers inspired vocal harmonies, and Harrison’s guitar picking harkens back to the early Beatle days.

Any Road (Brainwashed, 2002): Written in 1988 and originally played on VH1 during an interview between Harrison and mentor Ravi Shankar, Any Road was released posthumously in 2002. “Brainwashed” by Jeff Lynne and Dani Harrison proved to be very emotional. Hear another track from Any Road, which started in 1970 with “My Sweet Lord”. It’s definitely a 2004 Grammy nomination for Best Male Pop Act. Written for ukulele, “The Road” is a travelogue with the promise that “if you don’t know where you’re going, any road will lead you there.”

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