Musica Pop En Español De Los 80 Y 90 Mix The Art of Mixing Music

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The Art of Mixing Music

Blending is an art, not a science. Professionals spend a lot of time mixing a song because it makes a huge difference.

How did we get to this point in the development of music technology and performing arts?

A song that hasn’t been mixed well has almost no chance of charting these days. Times have changed. In the 70s and 80s, if a song had a good melody and was sung by a famous vocalist, it didn’t necessarily have to be well mixed. A song can be sold just because it uses a $25,000 sampler that only the studios can afford.

In the mid-to-late 90s, everything changed. As equipment became cheaper, anyone could record music in their bedroom using a computer, a few sound modules, and a suitable sound card. As more and more people are able to produce professional sounding songs, the competition is fierce. And the demands became high. From a technical point of view, everything had to be very professional. Therefore, more attention was paid to the overall mix. No longer had the advantage of using expensive equipment, so if you could produce a good mix, you had an advantage over those who couldn’t. And that’s where we are today.

One of the most successful producers in pop music, boasting dozens of songs in the world’s top ten charts, he said in an interview that it takes him about a week to mix each song. So even professionals have to sit down with every track they produce and check what needs to be done in the mix.

No two tracks are alike, as the complexity of the mix depends on what instruments are being used for that track, how much bandwidth each track occupies in the frequency spectrum, and whether there are instruments competing for the same frequency spectrum. .

In addition, a mix can often contain velocity-insensitive synthesizers that don’t add much dynamics to the mix, while another track can have several instruments whose dynamics change a lot. In the latter case, you will have to spend more time trying to fit these instruments into the mix without ruining the dynamics too much, a visual art that takes time to learn.

The art of mixing covers areas such as levels, rotations, filters, sequencing, compression, reverb, general effects, adding vocals, cymbals, punches, send or insert effects, commercial styles, and listening to the end. results, mixing, etc.

If the level is poor, the listener will judge the recording as unpleasant unless they know exactly what is wrong. It will just be a feeling they have.

Incorrect rotation can cause problems in certain situations, and listening to recordings with headphones with strange rotation can also be unpleasant.

Treble too much for some drums won’t work. A common method is to reduce the three traps and add them to the hihat, but it depends on the species.

Uncompressed instruments bounce up and down in the mix. This is one of the most important factors in the production of commercial mixes; use a compressor.

Too much strumming drowns the instruments in chaos, making it difficult to separate the instruments, or even individual notes. Limited use, or even no sound at all, can make a mix sound sterile and artificial (although sometimes that’s the desired effect).

It may be necessary to remove the vocals or use a simple filter to remove the bass region. Alternatively, you may want to boost the mids to bring them closer to the audience in the mix without increasing the overall volume.

The cymbals that are mixed in high pitches detract from the overall impression of the song. Usually the cymbals are narrow and used as a base for the rest of the instruments.

Almost all commercial music these days uses compressors to create beats. Most of the drum tracks are compressed, and so are the other instruments.

There are a lot of tricks to consider. We have already revealed a few things in this article. If that sounds exciting, you can read a book about mixing. Or search the Internet for mixing techniques or mixing tips.

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