My Phone Is Playing Music Out Of The Wrong Speaker Music Etiquette 101: Microphone Etiquette

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Music Etiquette 101: Microphone Etiquette

“Turn on my mic!”

“Turn the music down!”

“Turn me around!”

“Put me down!”

“I can’t hear myself!”

How many of you have heard these phrases from an artist performing on stage? Here’s a better question: How many of you have said it before a game/show? I have, and I’m not afraid to admit it. In some cases, this may be the DJ or the person running the sound system. In other cases, it may be the sound system itself. But for the most part, that doesn’t mean you don’t look down on up-and-coming acts, whether you sing, rap, or play an instrument.

Yes, it might just be YOU.

I’ve seen many artists automatically blame anyone who speaks up because they don’t feel like the audience is listening or they themselves aren’t listening. But there is nothing wrong with the system; the mics are brand new, the speakers are perfectly aligned, and the EQ is on point. The problem is the way they hold the microphone. If you are a professional and/or major artist – C’MON SON. (Although some big artists these days don’t know how to play on stage, that’s another topic. *cough*) But if you’re just starting out, I understand. At the same time, I feel sorry for most of you because you’re just jumping in ready to make it big, but you haven’t had the proper training you need in this music industry. There are methods that lead to success, and you have to be willing to learn them. If you want people to hear you on stage, you need to learn how to use a microphone.

HOLDING THE MICROPHONE

You can sing and rap all you want, but if the mic is too far from your mouth, the audience won’t be able to hear you clearly. No one should watch you perform while holding you close to your chest. For best results, the microphone should be at least 1-2 inches away from your mouth. If you’re a singer, keep your voice away from the speakers, at least a foot away, to avoid being too loud.

“LIKE” MICROPHONES

Rappers, this one is especially for you. We’ve heard the saying “don’t cuff the mic” before. For those unfamiliar with the meaning of the term, “cuffing” is when a person wraps their hands around the microphone ball while speaking or rapping. In my experience, it hurts the artist because it blocks the sound field. It muffles a person’s voice and distorts it to the point where they cannot understand what they are saying.

The handle should be held directly under your handball. This will allow the microphone to pick up the sound better so the audience can hear you more clearly. Now I will admit that some people think differently about this; There are artists (moreso rappers) who believe that “cuffing the microphone” helps to increase the volume. Look, I’m guilty of doing it now and then, but it was more of a habit than anything. If you’re going to “cuff your mic” (and if you’re being honest with yourself), I’d recommend doing what I’ve been doing until you get the hang of it: Try to leave at least enough space at the top of the boom. when not ringing.

CLOSE TO THE MICROPHONE

How you hold the mic when you’re not performing is just as important as when you’re performing. Never let it sit on the sidelines between verses (this goes for backups and hypemen, too). Letting it dangle as if you’re going to drop it on the ground just adds more effort to bring it back to your mouth when it’s time to make a sound or sound. Not only that, it creates an ear-splitting sound we like to call “feedback” when you move closer to the speakers or monitors. When you hang the microphone, you literally put it into the monitor.

So, to prevent this from happening, keep your hands bent and close to your body when you’re not talking/rapping/singing. This will make it easier to bring the microphone back to your mouth and avoid it going into the monitor.

CLOSING…

Performing on stage is about making a lasting first impression on your target audience. People who see you – fans, other artists, A&Rs and industry executives – are all paying attention. They look at your stage presence and energy to determine if you can move the crowd. But most importantly, they pay attention to your delivery. In my opinion, your delivery starts with the microphone.

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