Name 2 Musical Groups Played On The Radio In 1965 Jewish Contribution To Doo-Wop

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Jewish Contribution To Doo-Wop

What made the Jewish contribution to the development of the 1950s vocal and rock ‘n’ roll bands unique was their ability to capture and assimilate the African-American experience and make their music mainstream. Jewish contributions to doo-wop lie primarily in the field of songwriting and in the entrepreneurial music business in general. Italians and Puerto Ricans, unlike their musical counterparts, were mostly singers; The Jewish contribution brought a complex mix of ethnicities to bring the new sound together.

Jewish contributions to the rhythm and blues band scene lie in production, songwriting, and vocal harmony group development. Cahill wrote: “Without the Jews, we would see the world with different eyes, hear with different ears, and even feel with different senses”1.

Admiration and promotion of black talent is underrated. “Vocal harmony groups have always formed one of the richest traditions of black music, an art form as deeply ingrained as jazz, blues or gospel,” says Pruter. 2

However, a cursory look at the landscape of record label and vocal group harmonies during the early days of rock ‘n’ roll (1945-1965) reveals that the vast majority of acts, records, and songs recorded during that period (1945-1965) were recorded. ) had Jewish connections.

The most popular bands and labels came from the three big epic hubs of New York, Chicago, and Los Angeles that produced the street corner sound of the band. New art forms were recognized in these cities, eventually becoming the onomatopoeic term we use today, doo-wop. Although the term doo-wop originated in the late 1960s and early 70s, the term used in this essay describes the group harmony style of R&B songs. During the 1950s rock band era, many major labels were founded by Jewish entrepreneurs who highlighted blacks and promoted new music.

Doo-wop music generally evoked a traditional cultural worldview that became a hallmark of black culture at the time. The songs expressed by black groups reflected the cultural innocence and coming of age that appealed to urban youth. The lyrics and musical harmony style appealed to the urban white and somewhat middle class while keeping their music within black circles.

A number of Jewish entrepreneurs had a huge impact on the development of rhythm and blues band music and rhythm and blues. Jewish entrepreneurs dynamically influenced the vocal group sound that emerged in the 1950s. One such person is PBS doo-wop host T.J. Lubinsky’s grandfather (Savoy Records) is German Lubinsky. Lubinsky produced and wrote Little Anthony and the Empires, The Debutantes, The Carnations, The Silent Bombers, and The Falcons and the Robins. On his way into the music business, Lubinski paved the way for unrecognized and unrecorded groups to pursue musical stardom through new street-corner songs.

The Branun family owners of Deluxe Records had a wealth of talent. Their top acts include: The Confederates, Otis Williams and the Charmed Ones, Serenade and the Quails with Bill Robinson. All of these acts were directed to venues such as the Apollo Theater in Harlem, the Olympia Arena in Detroit, and the Alan Freed Show.

The team of Jerry Leiber and Mike Stroller, the team of Leiber and the Strollers, produced numerous hits for many artists. Together, they broke through the barriers of racism in the music industry and brought black talent to the forefront of their music.

DJ king Alan Freed introduced black bands to the masses on radio, film and television, breaking the color barrier and setting the stage for future DJs. His influence, particularly his penetration of rock and roll and vocal groups, created a cultural climate where white youth could hear and experience the evolution of a new mode that was beginning to shape youth music culture.

Founded by Leonard and Phil Chess, Chicago’s top record label, Chess Records became the top record label of the 1950s, producing not only bands like Flamingo and Monglow, but also great acts like Bo Diddley, Aretha Franklin, and Chuck Berry.

Eventually, Phil Spector’s record producer and songwriter developed the Wall of Sound concept, which remains a pop music monument to this day. All these people contributed to the harmony of the R&B song and the vocal group in general. Ultimately, the Jewish contribution to rock ‘n’ roll and doo-wop is an act of love. Without their contribution, we would be like a ship at sea without a rudder.

1. The Gifts of the Hebrews: How a Tribe of Desert Nomads Changed the Way Everyone Thinks and Thinks

Thomas Cahill, Party A. Taliz- Doubleday- Pg. 3

2. Doo Wop Chicago scene

Robert Pruter, University of Illinois Press -Pg. xxi

© 2007 All rights reserved

Abraham J. Santiago is the author of the acclaimed Acappella Street Corner Vocal Groups: A Brief History and Discography Of 1960s Singing Groups, co-authored with Stephen J. Dunham.

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