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Learn Guitar Online, Jimi Hendrix – 3 Tips For Rock Guitar
For many young guitarists, the electric guitar started with Jimi Hendrix, and of course the electric guitar has been around for a long time – the first commercially recognized electric guitars appeared in the 1930s.
When Charlie Christian joined Benny Goodman’s orchestra in 1939, the “new” sound of the electric guitar became widely known.
It’s important for guitar enthusiasts to study the history of their instrument to put things in perspective.
There would have been no Jimi Hendrix without Charlie Christian, just as there would have been no Joe Satriani without Jimi Hendrix.
Hendrix opened up a whole new world for the electric guitarist, complete jazz chords mixed with feedback, wah-wah pedals, power chords…here are 3 tips to help you rock guitar.
Tip 1: Alternative settings – learn the notes on the keyboard
Although Jimi played many of his songs by tuning his guitar a half-tone above normal guitar tuning, it is possible to play his songs without re-tuning the guitar.
For most guitarists, taking one guitar to a gig and keeping that guitar in tune without having to constantly re-tune the instrument for a specific song in the program is enough of a challenge.
A quick look at the guitar tab sites will reveal many different tunings for guitarists, and when guitarist ‘x’ playing in band ‘y’ tunes his tone and uses drop “C” it’s all well and good. .
The real problem for a guitarist is how do they (a) play a wide variety of songs from different bands without constantly changing tunings? … remember that guitarist ‘x’ of band ‘y’ only plays original songs of band ‘y’, because he doesn’t have this tuning problem, because they don’t (or very rarely) play covers of this band’s songs by other bands. and (b) how can a student guitarist learn the ‘voice’ of each note on the guitar if he constantly moves these notes to different positions on the footboard as he retunes his guitar?
The solution is to know the names of the notes on the guitar fingerboard so you can play any song in standard tuning, remember you don’t go to a music store and drop “C” or “D” on a piano. “Because a piano has all the notes you need, and so does a standard-tuned guitar.
Here’s how it works, let’s say you want to play a Jimi Hendrix song where Jimi takes his guitar down a semitone. Let’s say Jimi is playing an open 5th string, and by lowering his guitar a semitone, opening the 5th string will produce an Ab note. The exact same note can be played on the 4th string on the 6th string.
Another example is if Jimi is playing the 3rd string open, tuning his guitar down a semitone and opening the 3rd string will bring up a Gb note where the 4th string can be played over the 4th string.
Tip 2: Duplication of the notes of the blues scale
One of Jimi’s trademark sounds is to play a note and then slide or glide to a note of the same pitch on another string. This creates the illusion that a completely different note is being played.
This is because when a note of the same pitch is played on a string of a different thickness, the tone of that note will be different, and our ears perceive a note of a different pitch as a note of a different pitch. It’s like when you say “doo wah” with your voice, the pitch of the “doo” and “wah” are the same, but you’ve changed the shape of your mouth, so “those tones” are different.
Here’s an example: After playing the note “G” on the first string of the 3rd fret, slide from the 2nd string “F” of the 6th fret to the second string “G” of the 8th fret. Listen carefully to both “G” notes and notice that the two notes have the same timbre, even though their pitches are slightly different. Notes on thicker strings will be softer.
Tip 3: Hybrid chords
Certain chords are instantly recognizable as part of a musician’s style. Jimi Hendrix’s dominant 7th sharp ninth is one such chord.
In my example, I’ll use the E7#9 chord, which technically is an E dominant 7th sharp 9. Basically, this chord can be considered a hybrid chord, i.e. a combination of an “E” dominant 7th chord and a “G”. “The main trio.
Let’s take a closer look:
A G major triad contains the notes G, B, and D / an E dominant seventh contains the notes E, G#, B, and D, while the E7#9 chord contains E, G#, B, D, and G.
Here is an example of this chord used in a chord progression
||: E7#9/// | G/A/ |E7#9/// | G/A/ :||
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