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A 21st Century Remake of "Singing in the Rain?" – An Almost Impossible Cinematic Endeavor
Last night saw the award winning musical Singing in the Rain starring the late Gene Kelly, Donald O’Connor and octogenarian Debbie Reynolds for the tenth time. The 1952 film was nominated for 2 Oscars, won the 1953 Golden Globe and 3 other major awards. I think it deserved several Oscars in 1953 for its flawless, if not perfect, choreography, comedy, and drama. I mean, the talent and precision displayed by Julie Andrews and Christopher Plummer in the 1965 musical The Sound of Music, more than a decade later, paled in comparison to Kelly, Reynolds and O’Connor. , “Singing in the Rain” should have won at least 2 Oscars. The two movie musicals differed, of course, in style, length, and talent; but the most important difference between the two productions cannot be overlooked. Singin’ in the Rain was a perfect blend of dancing, singing, comedy and drama performed by dancers, actors, and studio staff, but there were plenty of “unmentioned” choreography mistakes. In The Sound of Music. The cinematographers who created the movie “Singing in the Rain” worked tirelessly together and created a unique musical work. Furthermore, the number of American musicals since 1952 with the same natural flawless dancing, singing, and acting as the cast can be counted on the fingers. So the question of why Singin’ in the Rain wasn’t remade in a modern setting like other classic movie remakes, with different actors, continues to beg for answers.
You can use all the fancy 21st century computer gadgets and advanced sound equipment that money can buy to attempt to replicate the real dancing, singing and acting of Gene Kelly, Debbie Reynolds and Donald O’Connor in synthetic form; but one indisputable fact remains ultimately true. It would be an expensive but ultimately failed attempt at fictional filmmaking. Natural human talent cannot be coaxed by computers. Furthermore, it is unlikely that three entertainers as versatile as Gene Kelly, Debbie Reynolds and Donald O’Connor would be found among the world’s best dancers and singers of the 21st century to replicate what these three unique individuals did. It’s a crying shame. These three stars could act, sing and dance in a spectacularly combined fashion that no stage or film star of today could even remotely do. Take Robin Williams, for example. He’s a great actor and comedian, but he can’t dance or sing like Gene Kelly or Donald O’Connor. Matt Damon, Tim Robbins, Tom Hanks, Ben Affleck, Brad Pitt, George Clooney, Meg Ryan, Russell Crowe, Richard Gere, Julia Roberts, and other Oscar winners of the late 20th century are great actors, and they’re all great actors. their millions. But none of them can perfectly combine acting, singing and dancing like the cast of “Singing in the Rain”. Some movie producers feel that the aforementioned highly rated actors and actresses can use computer enhancement to convince theater and television audiences that they have talents they don’t really possess. I don’t think so. The use of such technical falsification will be very obvious.
There’s another reason to think that Singin’ in the Rain wasn’t actually remade. People today don’t like it when the actors and actresses of the 1930s, 40s and 50s work as hard as they did to create natural artistic masterpieces. They now look forward to settling for less money to get paid. For example, in September 1990, while living in Carlsbad, California, I was discussing her singing talent with Madonna’s record manager, who had just returned to LA from a concert at the San Diego Convention Center. He stopped to eat at the Carlsbad 7-Eleven where I worked as a night store manager. The young man appeared completely sober as he opened up about Madonna and her talent. “It’s all in the sound equipment,” he said. “Madonna has no singing talent, but she has a great sound manager and great equipment.” Then he added with a laugh. “With the right computer audio equipment, you can make any normal person’s voice sound professional. That’s how Sissy Spake sounded like Loretta Lynn in ‘Coal Girl.’ After he left the store. Moreover, the drama of “Singing in the Rain” was about what happens when an actor with no singing talent is made to appear and sound at the expense of someone with natural talent. The idea is that the audience should not be lied to because of such talent. But unfortunately, the film industry in Tinsel Town was moving all the way. The directing was not very desirable when it won the Oscars in 1953. That is why the perfect musical was not properly staged that year. maybe.
I was born in 1951 and saw the movie “Singing in the Rain” for the first time in 1969. This is because my parents were not interested in movies. and also, in part, because of his teenage work priorities. I read my first description of the musical shortly after seeing it, recalling how the actors practiced day and night, blistered and bleeding feet, to perfect the choreography. 18 years after the musical premiered, I thought that the hard work required of American dancing, singing, and acting in multiple award-winning musicals was an indelible precedent. You know, in line with the old American proverb, “The difficult things we do at once, the impossible things take a little longer.” I don’t want to believe that there aren’t so many talented actors and actresses out there who can sing, dance and act as well as the real Kelly, Debbie Reynolds and Donald O’Connor. Besides, I don’t want to believe that great dancers, singers, and actors today only appear as products or certified prodigies of institutions like Julliard. Gene Kelly, Debbie Reynolds, and Donald O’Connor weren’t great. They were ordinary people who became great by constantly working hard to improve and perfect their artistic talents. They did it very well in Singin’ in the Rain.
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