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Beethoven – The Music Genius of All Time
“Beethoven pushed the limits of the classical style beyond all previous conceptions, but, like the composers who followed him, he never changed or abandoned its basic structure. In other fundamental aspects of his musical language, and in his key relationships within the One Movement, Beethoven made it incredibly radical and original. even when used in this way, it can be said to have remained within the classical framework,” Charles Rosen said in his classic study, “The Classical Style.”
Remembering this quote clearly shows Beethoven’s overall genius for creating timeless melodies and immortal symphonies that are considered masterpieces in today’s world. To understand this maestro’s devotional category, it is important to see how he became an archetype of the Classical and Romantic eras.
German-born Ludwig Van Beethoven was born on December 17, 1770 in the family of Johann, a skilled teacher of violin, piano and voice. As a chapel master (Kapellmeister), teaching music was his bread and butter. From an early age, Beethoven sang soprano in the parish church where his father was the master of the church, where Beethoven taught violin and piano. From the age of 8, he studied with a number of local musicians, took piano lessons from violinist Tobias Friedrich Pfeiffer, including Franz Rovantini, and taught violin and viola. As an artist, Beethoven’s musical prowess was closely related to that of Mozart, but he never advanced beyond the elementary level of school education. As a teenager in 1787, he went to Vienna for unknown reasons, although some say he even met Mozart and took lessons from him. Within two weeks of her return, her world suddenly changed as her mother died and her father became an alcoholic. At the age of 19, Beethoven officially claimed the title of head of household, taking half of his father’s salary to support his siblings.
Beethoven moved to Vienna in 1792, the same year his father died. His father died in December of the same year. Due to personal conflicts, he studied with Haydn for a limited time. Beethoven then studied with the most famous teacher in Vienna, Johann Georg Albrechtsberger. With him, I learned exercises such as free writing, 2-4 part fugue, imitation, choral fugue, double fugue, double counterpoint at various intervals, canon and triple counterpoint. In the course of this study he became increasingly active, where in 1800 he played his first symphony and septet (op. 20). At the age of 20, he became deaf, and Beethoven’s whole life changed completely, he tried to hide his disability from the world, but did not succeed. Beethoven could bite a special rod attached to the soundboard of the piano – the vibrations would be transmitted from the piano to the jaw, increasing the perception of sound. By 1814, he was completely deaf. No successor patronage emerged after 1815, and Beethoven relied mainly on the sale of composition rights and a small pension.
A natural genius
It begs the question how a great composer like Beethoven could have composed symphonies 2 and 3 (Symphony 3, Eroica was named Bonaparte in honor of Napoleon Bonaparte) from 1800 to 1806, the first period of his deafness. What can be said about his imagination, because it is given by God and no one can develop it by himself. If he was smart enough, he could have studied well during his school years. But he was born and chosen to create music that lasts forever. The talent was within him, he just needed to develop that talent and it revolutionized the music world.
With the test of time, his symphonies have become masterpieces in harmony with his other works. Beethoven loved a woman named Fanny, but did not marry. In a letter, he said of her, “I have found the only person I will ever possess.” The romance in his sonatas reflects his true love. Beethoven composed many pieces of music during his lifetime. Each piece is an expression of its brilliance with its own style and design, changes and modulations. Beethoven’s music varied from symphonies to sonatas, but his specialties were piano concertos, string quartets, piano sonatas, and symphonies. Beethoven’s conducting career is usually divided into early (until 1802), middle (1803-1814) and late (after 1815). Some of his early classics include the first 20 piano sonatas, including Symphonies 1 and 2, String Quartets 1-6, Piano Concertos 1-3, and the evergreen Moonlight Sonata.
His middle (praiseworthy) period began with the discovery of deafness. It is known for its extensive music that expresses struggle and heroism, and its middle works include the Fourth and Fifth Piano Concertos, six symphonies (Nos. 3-8), a violin concerto, a trio concerto, and the next seven piano sonatas (including). Waldstein and Appacionata), five string quartets (Nos. 7-11) and Beethoven’s only opera, Fidelio.
The last period is very much considered a romantic period. The music of this period is marked by its intellectual depth, formal innovation, and intense individual expression. For example, the Ninth Symphony, the Missa Solemnis, and the “Hammerklavier” Sonata are recent masterpieces. After his death, every musician around the world has been inspired by Beethoven’s music at any point in his musical career. The biggest example of this is when the Committee of Europe, which designed the European flag, took the song “Hymn of Joy” from Beethoven’s 9th Symphony in 1972, which became the official anthem of the European Union in 1985. The composer is also featured in several roles. a film released in both theaters and television. Since his death in 1827, the influence of Beethoven’s music on subsequent generations of composers has been profound and will continue for centuries.
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