Up From The Streets New Orleans The City Of Music Bad Lieutenant – Port of Call New Orleans

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Bad Lieutenant – Port of Call New Orleans

I love it when Nicolas Cage goes crazy. There can be a manic energy on screen that will slowly draw your attention until you do something terrible. In Bad Lieutenant: Port of Call New Orleans he was directed by Werner Herzog and the result is so exciting that I hope he will work with him again.

Cage plays Lt. Terence McDonagh, who takes on the title after rescuing an inmate from a flooded jail cell during Hurricane Katrina. Unfortunately, the doctor says that he seriously injured his back and will suffer from back pain for the rest of his life. Dr. House prescribes him Vicodin, the pain reliever that House used to eat like M&Ms before entering rehab, but that’s not enough for McDonagh. Soon he began to use marijuana, cocaine, crack and heroin, but the heroine was by accident.

Keith uses enough drugs to give Richards second thoughts, but McDonagh gets the spotlight for the murder. A drug dealer and his entire family are executed at home, and the police captain (Vondie Curtis Hall) wants to get results. McDonagh does what every cop should do: he questions witnesses, follows the evidence, and eventually finds the name of the drug dealer he chose to destroy the competition. His investigative style includes smoking marijuana with a suspect, threatening a witness’s grandmother with a .44 mag, and taking part in interrogations while intoxicated to the point of drawing a pair of iguanas on the coffee table.

When he’s off duty and sometimes working, McDonagh spends time with Frankie (Eva Mendes), a prostitute who shares some of his bad habits but seems to make more money than him. He lives in at least a four-star hotel room because the house has a uniformed doorman who knows exactly what’s going on. When McDonagh walks in as the customer is about to leave, he is clearly jealous, but he lets her go because she has cocaine. It’s like there’s no depth to which he can’t sink to get high, but you’ve got to give it to him, his goal is to get the job done. He’s like a energizer bunny, except he doesn’t run on batteries; he luckily runs on a broken pipe.

His partner is played by Val Kilmer, who can’t help but notice that his partner is becoming increasingly unstable. Eventually, McDonagh’s bookie even shows up at the police station, because he’s also a sports gambler. The preacher is played by another great character actor, Brad Dourif, who seems to sympathize with the tall lieutenant who is digging himself into a hole. Of course, McDonagh can’t help but ask him to get his daughter a speeding ticket. If you have a dirty cop who gambles his paycheck at a football game, it’s not crazy to ask him for help because he has low morals.

Eventually, it all starts to fall apart. McDonagh finds a drug dealer and a suave, well-dressed killer named Big Fate (Xzibit), but he has a good lawyer, no one will speak against him, and no evidence. Serious gangsters want to put Frankie and McDonagh out of their misery. Eventually, there’s trouble at home when McDonagh Sr. (Tom Bower) checks into rehab, leaving his wife (Jennifer Coolidge) alone and panicking about who’s going to take her from the dog. He claims that he is not an addict because he only drinks beer. Any responsible person can be expected to prove him wrong.

It all adds up to a very funny, dark comedy. Cage clearly owns the show as a cop on the breaking point, but you won’t see it coming with such a clever move that he can think of the bad guys. Despite the drugs, violence and manic moments, he finds time to tell Frankie a touching childhood story involving a lost silver spoon. New Orleans is the perfect setting for her character. After Katrina hit, the city was devastated and the atmosphere resembled that of the Wild West. Outlaws are running rampant in the streets and the police are trying to round up the worst of them.

Who better to film this crazy story than Werner Herzog? He’ll put it together and set up camera shots that don’t make any sense. There is a scene where the camera goes to ground level and shoots from the angle of an iguana near a highway. The camera then focuses on the iguanas for a full minute as McDonagh sees the iguanas during the spying. They just stand there doing nothing and Cage stares at them. Weird, but it’s still a wild ride to New Orleans with one crazy badass lieutenant behind the wheel.

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