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The ’90’s: When the Ladies Came Out to Play
90s music was great. It seems to me that the decade was like a petri dish full of experimental organisms. Some grow quickly, flourish, and die suddenly, i.e. Grunge’s meteoric rise, followed by its sudden demise. Others, like rap and hip-hop, thrive and never waver. Then, of course, there were the old standards and the new ones. One thing was true throughout the 90s. There were more new female artists emerging than ever before. Unlike the teenage “girl groups” of the late ’50s and early and mid-’60s, they had almost no say in their own careers. Or ’70s female rockers the Runaways and ’80s girl groups and artists, including ex-members of ‘The Runaways’ Joan Jett (who smokes on ‘I Love Rock’n’ Roll’) and Lita Ford’s Later hit song “Kissed Me With Death”. Then the West Coast Go-Go’s and the Bangles played their own instruments, but left as quickly as they came.
Of course, there was Janis Joplin from the early ’60s to the mid-’70s, and 20 years before the term was coined, Carly Simon, Carole King, and Helen Reddy spread the message of “girl power.” And the Hearts, with sisters Ann and Nancy Wilson (Ann on the mic, Nancy on lead guitar), not only proved they could rock like the boys, but rejected the glamorous side of the “music business” to take control of the music scene. of their band direction. Despite these prestigious awards, the 90s was a decade that saw more female artists step into the spotlight than ever before.
I haven’t mentioned her name yet, so first I mention Madonna, the “Queen of Pop” at the time. Her 1990 single “Vogue” was a huge hit on both the pop and dance charts. But that year, a newcomer was pulling the queen’s robes. A pretty-faced, bald-headed Irish import, yeah, I know, sounds like a pun aimed at a joke. But Sinead O’Connor was anything but. A performance of Prince’s “Nothing Compares To You” topped the Monsters chart. The song’s music video was also popular. With just that beautiful face, O’Connor gives a performance that has never been seen in a music video before. The buzz of the song would, of course, be O’Connor’s only US hit.
Another female artist pulling on that coat had the octave frequency of an opera star and the beauty and sensibility of a top model. I’m talking about Mariah Carey, of course. Between 1990 and 1996, Carey had 7 top 10 hits, including 3 number ones, “Hero”, “Fantasy”, and “One Sweet Day”, a collaboration with R&B group Boyz to Men. In ’93, female R&B group ‘En Vogue’ and female rappers ‘Salt ‘n’ Pepper’ collaborated on their chart topper ‘Whatta Man’. That same year, another newcomer, Sheryl Crow, burst onto the music scene with her hugely popular hit, “All I Wanna Do.”
Female leads in mostly all-male groups also had their own label. Ireland’s The Cranberries lead Dolores O’Riordan, like in Zombies, from a sweet, low-key vocal ballad like “Linger” to a seriously rolling whaler. R&B group ‘The Fugees’ had a huge hit with Roberta Flack’s classic ‘Killing Me Softly’, led by the sweet and soulful Lauryn Hill. Angel Gwen Stefani, frontwoman of No Doubt, had a huge hit with her song Don’t Speak. Country music also had its queen. The ever-gorgeous Faith Hill has been a favorite of country music fans since 1993, but later had major crossover hits with “This Kiss” and “Breathe” from her 1998 hit album. Faith. 13-year-old LeAnn Rimes came from seemingly nowhere with her country Blue. Despite her young age, her powerful voice drew direct comparisons to legendary country star Patsy Cline. In ’97, Rhimes had another big hit with the crossover hit “How I Live.” The song broke the Billboard record for 69 weeks.
Shania Twain was the main “Crossover Queen” of the 90s. From his debut album in 1993 to his third album The woman in meReleased in ’97, Twain topped country and pop hits. Meredith Brooks and Australian soap star Natalie Imbruglia enjoyed some time in the sun. Despite Brooks’ hit “Mustard,” a woman’s greeting, Imbruglia had a hit with “Torn.” When British imports The Spice Girls hit the music scene in 1997, the country was obsessed with “girl power.” With hits like “Wannabe” and “2 Become 1”, the 5 beauties became the toast of the music world in a short time.
From living in a van to pop star, Jewel Kilcher hit the charts in 1995 with her debut album. Parts of you. The multi-platinum album spawned three major hits: “Who’ll Save Your Soul,” “You Were Meant For Me,” and the soulful ballad “Silly Game.” The 21-year-old singer, songwriter and poet was a contemporary of ’70s female artists such as Carole King and Carly Simon. His melodious voice and soulful poems were created Parts of you one of the best-selling debut albums of all time. Another great singer/songwriter cut from the same talented cloth was the red-headed and beautiful Sarah McLaughlin. After three successful albums in his native Canada, McLaughlin headed south of the border to the states, releasing his debut album in 1997. Surface. The album was a critical and commercial success. The 29-year-old artist has suffered the most so far. Hits like “Making Secrets,” inspired by Smashing Pumpkins musician Jonathon Melvoin’s drug overdose, and the heartwarming “Angel” helped. Surface It would go on to sell over 11 million copies in the US.
Now, for the woman who is sure (if only for a moment) of being crowned Queen of Pop, Alanis Morrisette. His first American album from Canada, A small pill, released in 1995, was no problem for pop audiences. The album spawned six chart-topping hits, including “You Outta Know,” “Hand in My Pocket,” “You Learn” and the mega-hit “Ironic.” With Morrissette Em, was a juggernaut. It has sold 16 million copies in the US and 33 million copies worldwide. Em The album became the best-selling debut album by a female artist in US history and the third best-selling album worldwide. Morissette has won many awards around the world and has risen to the top of the music industry with her fans. He never achieved such fame and success A small pill He was brought in in the 90s. It’s true….fame is temporary but music is forever. And so are the artists who made it. Let’s go ladies.
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