What Course Should I Take To Become A Music Producer Recording Acoustic Guitar – Producer Secrets For Stellar Acoustic Guitar Recording

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Recording Acoustic Guitar – Producer Secrets For Stellar Acoustic Guitar Recording

From the beautiful bell-like strings plucked by a well-trained hand to the powerful chords struck by it – a well-recorded acoustic guitar sound adds power, dignity and fullness to almost any recording.

But even for some advanced recording professionals, acoustic imaging can be a bit of a challenge. Let’s go through some nuts and bolts on how to get great sound.

Start with the source

Well, it goes without saying that a recording studio is nothing more than a means of capturing reality. This means that no amount of meters, mics, or gear can transform a crappy sound into a stellar one.

So spend time on the source. Make sure you have the best sounding guitar you can get your hands on, then put that guitar in the most capable hands…enough said.

The Essential Gear

Once you have a great sounding source, it’s time to capture it.

When it comes to acoustics, I like to go two separate ways at once. Most guitars today have electronics that allow you to record sounds coming directly from the guitar. I like to put this output jack into a high quality DI and then into a light duty 2:1 compressor.

I’ll mix this sound with the sound I’m trying to pick up from the microphone. The microphone should be a large diaphragm condenser microphone with high output. The Neumann M-149, Neumann U87s, AKG 4000 series microphones, and of course the C-12 are great choices. There are many more, but the list would go on too long.

Run this mic into a high-gain low-noise, then 4:1 low-ratio compressor – the 1176s are a great choice for this application.

The key is to place the microphone where it will receive the best sound, reach the compressor, and give the recording equipment plenty of gain to bring it to full volume.

Location Location Location

As with real estate, location is important. To choose the right microphone position, you need to use the ear, one of the most complex and elegant audio tools ever created.

Sit the actor down (in a non-skid chair) and start doing the part you plan to record. Then move your ear closer to the guitar until you find the spot that best represents the sound you want to achieve.

Once you’ve found the sweet spot, you’ll be doing one of the underground techniques you’ve never seen before. Listen….you place the mic where it sounds best!

Isn’t that exciting?

I don’t mean to be mean, but I’ve seen too many kids coming out of school [the ones that set their parents back 40 large] and they “measure” where to place the microphone …

This is audio art, not visual art.

You have to use your ears and get the sound you want. Listen, and if you don’t get the sound you want, here’s another underground tip – move the mic around until you get the sound you want. ; )

Ah ha ha ha. Isn’t it amazing.

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