What Degree Do I Need To Be A Music Producer The Modern Recording Studio

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The Modern Recording Studio

Software Audio Studio Basics

Technology has come a long way since 24-channel mixing desks, Akai samplers, rack-mounted effects units, and miles of tangled cables hidden under desks. A decade or so ago, the above was the standard if you wanted to release any style of dance music that met quality standards. 15k investment in all necessary hardware like synthesizer and computer but production will be limited. Some synths only had one output, so each track that wanted compression would need a separate compressor unit, each send would need an effects unit…the list goes on.

The more money you have, the more sounds you can channel through one of the many units, blessed with sparkle, weight, presence, or downright damage and abuse. As with many things in life, hard-earned money buys quality, not just quantity. You can buy ten cheap compressors or one high quality compressor. Yes, it makes a big difference to the sound. A piece of music can be defined as nothing more than the sum of its parts with the magic added by the producers/engineers/performers.

With this equation in mind, it’s important to treat each one as a fragile and important baby, no matter how many channels the tune consists of. Hitting the cheapest desk eq and 50 compressors on each channel, running them through a budget effects unit, and then pumping the whole old beat up “mix stimulator” won’t give you quality. However, this formula worked for years in the underground dance scene, where musical content and energy were more important than sounding like a flashy chart topper.

Times have changed since the nicotine-laced basement studios of the early to mid-’90s. Of course, they still exist and hold a good place, but in the 21st century there are other options. A studio in a box. Literally. Although less visible than a room full of knobs, buttons, sliders, dust, and flickering lights, a standalone digital studio can be very confusing to the uninitiated. Walking into a room with all of the aforementioned equipment, you are immediately impressed and often intimidated by the sheer size and complexity of it all.

“How do you know what each button does?” people ask. There were a lot of things to spin and buttons to push before the alchemy of turning a dancefloor-destroying masterpiece into a dancefloor could begin. But as a producer/engineer, that task was your job. You learned it because you love it. Singers, DJs, bands, etc. will be confident and keep at it. Controlling (or at least pretending to) all of these tools will always garner buzz and instant respect.

But how wonderful is it to be sitting in front of a computer instead of using countless buttons and sliders? How respectful is it to exchange such expensive and attractive hardware for one and zero? Some would argue that it’s much less…but never judge a book by its cover. Another saying goes, “The proof is in the pudding.” If your puss is climbing the charts or wowing DJs and tearing up dance floors nationwide, you’re mission accomplished. How you get results is up to you. With the ever-expanding family of softsynths, VST plug-ins, sequencers, DSP cards, and more, your options are much better than they were 15 years ago.

Hardware continues to play a powerful and important role in music production and recording. With a certain volume of mixing desks reaching 250,000, it can be assumed that they will help you hear the sound made in the best studios in London. It’s not a “hardware vs. software” argument, as many like to get into, but rather exploring both worlds and bringing back what works best for your needs. If you’re a student or DJ wanting some dirty electro beats, it’s probably not the best way to cough up tens of thousands of pounds to pump into your hall of residence. A more reasonable solution would be the software path.

With a modern full-featured software studio, the production quality can match that of a hardware studio costing up to 100,000. This may sound absurd, but think about it. You have 27 ringtones. Each of them encourages you to improve your accuracy, so you get the best compressor equipment you have. At a great price. If only 15 of those channels require this treatment… you do the math well. Add to that the best quality EQ, limiting, reverb, delay, phaser, flanger, stereo processing, synthesis… the list goes on. Buy one high-end software processor and it’s instantly ready for every channel. Get yourself a fat softsynth and use it in the same tone as you like. It’s not a cheap hobby in terms of hardware, so read it for those who don’t have paper stashed under their beds. This guide is for anyone who wants to create cutting-edge, high-quality audio on their computer. A cheap recording studio doesn’t mean cheap sound quality! Cheap music software doesn’t mean limited production techniques.

Software sound processing algorithms are constantly improving. Some companies make DSP cards and VST and DirectX plug-ins that are very close to their expensive hardware counterparts, so this is a serious problem for most people.

So don’t judge the little computer sitting humbly on your desk. It’s a mammoth room filled with knobs, sliders, samplers, synths, compressors, limiters, effects units, distortion swings and more. In fact, if you were to open it up and give these and zeroes some physical form, you’d be hard-pressed to find room to fit all these amazing audio creation and manipulation tools.

You don’t need a 3 year full time degree to know what hardware and software to buy. Experienced producers in the field help newcomers to the field and pass on secrets and tricks to personal training…saving you a lot of money, stress, time and energy, and showing you the fast track. to achieve the professional production quality you desire. It can cover any modern music style including trance, house, electro, dubstep, breezy, pop, drum & bass, downtempo, grime, hiphop, RnB, techno, hardcore, psytrance, hardstyle, etc.

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