What Do You Call The Background Music In A Movie Review of Yeh Jawaani Hai Deewani, a 2013 Bollywood Film By Ayan Mukherjee Starring Ranbir Kapoor

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Review of Yeh Jawaani Hai Deewani, a 2013 Bollywood Film By Ayan Mukherjee Starring Ranbir Kapoor

‘Yeh Jawaani Hai Ghissi Pitti’, ‘Yeh Jawaani Hai Puraani’, ‘Yeh Jawaani Nahi, Bachpanaa Hai’, or ‘Wake Up Sid (Hangover Version)’ could be another name for ‘Yeh Jawaani Hai Deewani’… no , let me change that a bit – titles better suited to Ayan Mukerji’s sophomore effort… no, not really an effort, more of a directional effort.

He’s serving you cold soup this time, and that’s not the worst – he’ll serve you the same soup. Heavy manual treatment; Sounds like the old lady in your college cafeteria made the soup. That’s how lazy Ayan Mukerjee is this time – his story is trite, his dialogues stale, his characters weird, his situations routine and his solutions tiresome. This guy needs to seriously get out of the “follow your dreams”, “accept change” and “be clear” phase; Yes, he got a chance to act in Awake and he did well, but that’s directorial lethargy.

The script of Ye Jawaani Hai Deewani will begin with an old saying about four young friends. Oh, and rest – two are boys and two are girls, so it’s not an “all guy movie” or an “all girl movie”. The film begins with one of the girls reminiscing about her past life as she is about to get married. The girl in the story is Naina Talwar (Deepika Padukone) and she takes us back eight years to the past, when she was a hard working, plain Jane, good girl Naina. All diligent good girls are required to wear glasses, so she wears one. It looks hot, but our Naina guys don’t really care because it’s Bollywood and glasses equate to ‘behenji or idiot’.

She’s shopping at the supermarket with her dorky mom in her miniskirt/shorts (she’s showing off her legs anyway, but she’s wearing “glasses” so no one notices). He heard someone yelling at the check-out counter; It is his old school friend Aditi. Aditi (as she says) got angry at the young, rude kid who was checking her legs. He tells her it’s not that hot – she’ll get even crazier. Naina approaches her and they greet each other, Naina’s mother talks about her daughter, Aditi praises Naina as a ‘padhaku’ and then talks about her trip to Manali. The scene ends with Naina being secretly invited on her journey.

Next scene at the dining table. Naina’s mother insults Aditi as a ‘bad girl’. Naina angrily says “I want a break” and leaves the table. We then see him checking out the co-sponsors of this movie, My Travel Site, because they are everywhere! Our brave girl Naina sneaks out the next day and goes on a trip with Aditi, but Aditi is not alone, she is with Bunny and Avi.

We have already met these two parts – Bunny is a photographer who dreams of traveling the world (Ayan can’t think outside the box for some reason; Ranbir Kapoor in Waking Up Sid = photographer, Ranbir Kapoor in Yeh Jawaani Hai = Deewani = photographer ) while Avi is an alcoholic who loses a lot of money at gambling (he has no idea how he makes money). We first find Bunny filming a brothel with a foreign crew about prostitutes; So there’s the usual ‘spicy talk’ with a prostitute, followed by a completely aimless dance number featuring Madhuri Dixit. But we know why it was added – it’s Karan Johar’s production, he’s been a judge on a dance reality show with Dixit, and thought it was a good idea to randomly place him in a dance number anyway. She looks pretty, her dancing is sensual and expressive, but why on earth (or why is she in a whorehouse of all places)?

So, Booney is a photographer who calls his stepmom stepmom (funny, childish, why not a name?), Avi is a faltu (useless) alcoholic, Avi is a cool girl, and Naina is a “scholar”. All board a train to Manali and their trip is sponsored by MAKE MY TRIP (they break the fourth wall and say, “I love the trip! They meet some hot chicks and Bunny falls in love with one of them named Lara, who’s hot but dumb like any other college movie chick; whenever she is on screen she plays background music and it’s so childish, shame on your brain for giving you the power to listen to these sounds. Well, during the trip, our Naina gets loose (she wears lenses and turns into a hot crazy babe during the day ), begins to enjoy life (he’s drunk. Don’t tell his lazy mother) and falls in love with Bunny, who is commitment-phobic. Naina and Bunny scream from the edge of the mountain, and the movie really wants them to slip and fall to their deaths just to surprise us. there is a picture.

This movie never fails to amaze us. After our hero Bunny travels to the US, Naina becomes Aditi’s best friend and after Avi doesn’t reciprocate his love for her, Aditi decides to marry a dashing guy named Taran, while Avi remains an alcoholic and heavily in debt. The second half is more embarrassing and most of it deals with Aditi’s marriage. Random characters come and go, and we’re meant to laugh (not once are we). There are “serious buddy movie scenes” that we ignore; They’re the kindest moments filled with lies you’d find on Facebook, written only by boys and girls with IQ 100 who think their bad thoughts are deep.

I think I noticed it in Ye Jawaani Hai Deewani, which I barely noticed in other commercial Bollywood films but didn’t bother to report the lack of spontaneity in the cast. Cue the scene where Deepika and Ranbir are alone at the camp where he can’t resist her; He holds her hand even after their conversation is over.

To show this, Ranbir has a dialogue, “Then why are you still holding my hand” and then reveals the hand holding her hand. Wouldn’t it be better to immerse the two characters from a distance and show him spontaneously holding her hand and not letting go of them? Watching Meryl Streep and Eastwood fall in love with Madison County’s Bridges was a treat, as both slowly responded with no mechanical gestures or movements. However, Bollywood thrives on mechanical movements that seem inauthentic.

Deepika is more than tolerable as a slimy woman, but based on the disgusting notion that wearing glasses makes you stupid, her character turns into a beauty queen. Ranbir is a method actor and I really wonder what he thought of the random dance numbers he put in – didn’t he ever ask Ayan why his character can dance and sing like a pro? Or maybe her bank account was so full of Dzhokhar’s money that she overlooked everything else. Kalki and Aditya Roy Kapur are competent in poorly written roles.

This kind of movie is a movie that earns hundreds of billions, it’s really a crime. Don’t encourage Ayan Mukherjee to do so many things! Stop Dzhokhar making money like this!

If you have a booking, check out the ‘Take My Trip’ booking – they’ll take you to Kashmir in the name of Manali! (In case you’re wondering, Omar Abdullah accused the filmmakers of shooting in Kashmir and then Manali in the film)

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