What Do You Do With A Ba In English Musical Getting Back to the Guitar – Music Theory Basics – Part II

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Getting Back to the Guitar – Music Theory Basics – Part II

Let’s pick right up where we left off. Each major key has a specific pattern that half and whole steps follow. Looking at the scale of C Major, we start in this key because it is not sharp and square to confuse one, so we can see how many half steps and whole steps there are between each note. Starting with one C and going up CDEFGABC, using a simple formula that every aspiring musician should memorize, we can tell how many half tones and whole tones there are in the scale, so we know how many frets there are between each note, so we can play the scale effortlessly. . This is our “magic formula” – it may not make much sense at first, but it will come in handy later – W WHWWW H.

In plain English it means whole step, whole step, half step, whole step, whole step, whole step, half step. What this means in more plain English is that in the C major scale, the distance between each note is: There is a whole step between C and D (because there is a C# or Db between them), there is a whole step between D and E, (because they because there is no D# or Eb), there is only a half step between E and F, (because there is no E# or Fb; notice how on the piano there is no black key), there is a whole step between F and G, and so on.

CDEFGABC

WWHWWWH

Now, if you look at any major scale, if you start on the root or tonic note (if it’s an E major scale, the tonic note will be E), you’ll know that there are two whole steps, then half steps, and three whole steps. step and then the final half step. How does it help us now? Using what’s called the “Circle of Fifths,” we can discover all the major keys and the notes they contain.

Again, starting with C Major, there are no sharps or flats, so knowing the space between each note will be from one C to the next. Now we go to the fifth note of the C Major scale. This is G. Now we write GABCDEFG and we can see that it follows our previous formula WWHWWWH except for one point. We should have a whole step between E and F and a half step between F and G. The rest of the dimensions are consistent with the formula. To do this, the simplest way to remember it is that we find the fifth note of C (which is G), then write the scale of that note and put a sharp (#) on the second last (or seventh note). , which is F. This will fix our problem by making the interval between E and the new F# a whole step, and the interval between F# and G a half step.

From there, we’ll continue with the previous step, taking D, the fifth note of our newly created G Major scale, and rewriting the letters D through D, but this time keeping the F# from before. scale. So the D Major Scale is: DEF#-GABC#-D. To fix the problem we had earlier, notice how the second-to-last note, C, is sharpened and the F remains sharp. Now we go again. Try it yourself, take the fifth note of the new D Major scale (hint: A), write from A to A, keeping F# and C# as before, and sharpen the second last note (this time it will be G).) Next lesson will go into detail about our ‘circle of fifths’ and I’ll show you what chords you can play in each key to start the chord progressions that form the basis of each song.

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