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Music Review of Fantasy Black Channel by Late of the Pier
“Late of the Pier” are a four-piece indie rock band from Castle Donington, London. The Late Of The Pier consists of Samuel Eastgate (vocals, guitar, synthesizer), Andrew Faily (bass and synthesizer), Sam Potter (Sampler) and Ross Dawson (drums). They all have pseudonyms and are known as Samuel Dust, Francis Dudley Dance, Jack Paradise and Consuela the Red Dog. Late Of The Pier are very electronic and their music genres include indie rock, electronica, synth pop and dance punk.
Late Of The Pier’s Fantasy Black Channel opens with a growling guitar instrumental “Hot Tent Blues”. Apparently Late Of The Pier used a sampler to make this track. The guitar on this track evokes the 80’s rock scene, full of pitch and echoing guitars. The bass and drums provide a cushion in the background while the guitar plays. As it reaches the remaining 13 seconds, the track ramps up again, but this time with some start/stop guitar riffs. This will gradually lead you to the next path. A very energetic opening!
Once you enter “broken”, god the guitar just brings you. You can’t help but move your body to this crazy filler track. Pretty cool guitar work I’d say. This is followed shortly by a series of music created by synthesizers and samplers. Only when Samuel comes in with his vocals does Broken seem to slow down a bit to express himself. Broken is full of different guitar playing and you can’t help but love this song. The first listen of Broken already left me wanting more. Very addictive!
“Space and Forest” It comes right after Broken. Sounds like Late Of The Pier is playing keyboards here if I’m not mistaken. Fascinating hands they play. Samuel has a robotic voice when he sings. As for the chorus I guess, the guitar just comes in without affecting the earlier keyboards we hear at first. In the bridge, Samuel sings, “I’m so hot, tell me what you think of me, I don’t care, so I won’t cry…” in a very ignorant voice. . The music on Space And The Woods definitely lives up to its predecessor. Love the hands!
“The Bears Are Coming” with a very nice opening. An African-influenced percussive zone with synths. When Samuel comes in, it adds extra weight to the already really good music. After each paragraph she sings, the music just plays. It’s not just plain music, it’s music that at least makes you nod your head. The coming of the bear also has a disco feel. On the bridge, Late Of The Pier simply takes a slow tempo break, with Samuel layering heavy heart elements in his scream-like vocals, “I’ve seen you run in the water, I’ve seen you follow the sea. Light in my nightmares, shine through the trees…” Of this then the music killed me on the spot again. With any vocals in the background, it’s like a party track is in progress. Before it ends, Late Of The Pier doesn’t seem finished, they just play around with their synthesizers and samplers. Great feeling!
On “Accidental Christmas Tree”, the music at the beginning is too cute. The synth-influenced guitars are also pretty ugly. If you pay attention, you’ll hear a little humming (like a woman panting) in the background as the music is just warming up to the verse. It sounds very funny to me. Slowly Late Of The Pier add more instruments to this song and it seems to be slowly getting better. The quirky and catchy guitar feels great on the track.
“Heartbeat” It starts with 80’s-like music, which comes in with the heavy guitar riffs of Late Of The Pier. Heartbeat seems to enter another level when the chorus hits, and it gets rougher and rougher here as Samuel repeats “Heartbeat, blink, line…. It’s just a line…”. Heartbeat’s best moment for sure. As we move into the second verse, the bass gets louder and louder. It will pump my blood and never increase my volume. It’s not lines, it’s music!
“White Snake” with a slightly slow start. But it suddenly breaks with the loud guitar of Late Of The Pier. Samuel also seems to be choking on his vocals when he sings fast and loud here. The guitar is also very fast. As the chorus goes, the whole song slows down a bit. A piano can be heard playing rapidly from here on through a series of repeated notes. Late Of The Pier’s bridge adds some ominous music to White Snake, which comes as a real surprise. But it’s still good because the track is so fast. Even Samuel sang and screamed like a true rock star!
“VW” Smart music continues. Horns blare as the music goes fast and slow throughout the track. At speed, the horn gets louder and the music sounds ominous, as if something bad is bound to happen. Entering the slow section, Later Of The Pier seems to be gearing up for the next fast break. Listening to VW makes you think time is running out and something bad is about to happen. Dangerously fast!
“Fokker” it has a very strong electronic effect. In the verse, Samuel sings very quickly, as if swallowing the lyrics. However, in the chorus, things take a different approach. Samuel simply sings, “I want to be your friend…Oh yeah…” Heavy electronic music plays in the background, sometimes drowning out Samuel’s voice. Focker is arguably one of the wildest tracks on the Fantasy Black channel. Even the remaining 30 seconds are filled with loud guitars and synthesizers, ringing and reverberating until the end.
“The enemy is the future” with a beautiful beginning. You’ll see what I mean after you listen. This time, Samuel seems to have shared his part of the song with other members of Late Of The Pier. It has a deep and funky voice once you get into it. When the chorus comes in, the whole song sounds great with the bass, which I didn’t expect. As Samuel repeats in a catchy tone, “Easy life, easy life?…” I feel like I should sing along too. I don’t know why, Late Of The Pier’s playing and singing is great! Needless to say, the music in The Enemy Are The Future is amazing. As you get deeper into the track, it becomes a different track altogether. It’s no longer a rock track, it’s a dance track, and the samplers and synthesizers just hit an invisible magic button. Very, very advanced.
“Mad Dogs and the English” begins with the sound of a bell ringing in the distance. Soon the bass kicks in and eventually builds up to a certain rhythm. The guitar and bass on this track seem to work together here, layering and covering each other. When the bass leaves, the guitar waits; When the guitar goes, the bass is waiting. Especially the bass music has some funny elements that make me smile. On the bridge and until the end, Late Of The Pier just play their stuff, resulting in fun and great music. It makes you want to play…
“Bathroom” It opens with a steady drum beat (reminiscent of The Fratellis’ “Chelsea Dagger”), soon joined by synthesizers. The music itself is already catchy and makes you want to get up and dance. It’s infectiously elegant! In the chorus, Samuel shouts, “Find yourself a new boy…” and the music adds a xylophone-like note. I really enjoyed listening to that moment. In addition, Late Of The Pier’s Samuel also performs vocally on Bathroom Gurgle, imitating a female voice in parts of his voice. A few seconds into the chorus, Bathroom Gurgle surprises us with the cheerleader, “So put your hands on your hips, move your body to the bass line, and sip some cheap wine…”. Pierre really shows what he’s got on this track. One song that covers all kinds of singing and music.
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