What Form Of Energy Is Produced By A Musical Instrument What Makes a Great Rockabilly Song?

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What Makes a Great Rockabilly Song?

As a songwriter, I wrote many rockabilly songs. Some of them were pretty good (in my opinion!), some not so good. Many of the songs I’ve played live have been well received by the audience, while others have fallen flat. So I asked, “What makes a great rockabilly song?” I often thought about the question. To find the answer to that question, I looked at some of the greatest rockabilly songs in history. In this article, I’ll talk about some of the answers I found. Of course, this is just my opinion, and you may have different ideas about what makes a great rockabilly song, but it should be fun to explore this topic together.

One of the defining aspects of rockabilly that made the music so exciting in the early days was that it was fresh, new and different. As modern rockabilly songwriters, it’s no longer a surprise, and that can make it even harder. But in reality, it wasn’t just novelty that made these songs great. In fact, some really great songs still sound great even after 60 years of listening! They sound fresh and exciting, so there must be something to them beyond the simple novelty of a new art form. If our modern rockabilly songs aren’t up to par, we can’t hide behind the excuse that the genre isn’t fresh!

If I had to choose one word to describe this music, this would be it energy. Great rockabilly music has a different kind of energy. Even the slower numbers keep you pumped up – it’s like you never know if the song is going to last or suddenly go rockabilly crazy. And it doesn’t seem to matter how many times you’ve heard a song; You’re still waiting for the explosion. For me, no other music has the same energy as rockabilly. It’s a positive, happy energy that makes me smile every time I feel it!

Another important aspect of rockabilly is what I call “sleepy simplicity.” Or you can call it “sleep complexity”. Rockabilly songs are generally simple. Chord progression is predictable. The structure of the vocal section is usually a simple alternating musical break or two thrown in between the verse and the chorus. The bridge section is rare. Not many surprises there. But the simplicity of this structure hides the complexity of musical talent. Guitar work is often far from simple. Complex chord-based solos combined with single-note leads that can jump back and forth between minor and major scales at any time, not just in a single solo, but in a single part of a solo! Carl Perkins was a master of this type of solo. It’s not just the guitar that breaks. Listen to how the lead guitar often weaves around and connects with the vocals. It’s not just a random picker firing off riffs. The player almost seems to be able to make the guitar part of the song, it’s a complex talent!

The bass also adds its own unexpected complexity – especially on recordings or live performances that don’t use drums. The slap-bass style of many rockabilly bass players turns the bass into a double-duty instrument. The bass notes hold the bottom end while the slap rhythms get really tricky. But in some ways, when you have a drummer, everything about the bass becomes more complicated, because now the drums and bass have to work together to set the tempo, not compete. This is true of the interplay between bass and drums in any type of music, but in slap-bass rockabilly bass, there is an additional rhythmic aspect to consider. The bass player has to make sure that these claps are perfectly in sync with the rhythm of the drummer. If you don’t, things can get messy very quickly!

IS IT OK; These are some of my thoughts on what makes a rockabilly song. I haven’t quite figured it out yet and will continue to research to get to the root of the answer. If you’re like me, you’ll find that analyzing music like this adds to the joy of rockabilly music!

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